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Today's Stichomancy for Orson Welles

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Arrow of Gold by Joseph Conrad:

man who has yet preserved all his lucidity. I was not even wondering to myself at what on earth I was doing there. She breathed out: "Comme c'est romantique," at large to the dusty studio as it were; then pointing to a chair at her right hand, and bending slightly towards me she said:

"I have heard this name murmured by pretty lips in more than one royalist salon."

I didn't say anything to that ingratiating speech. I had only an odd thought that she could not have had such a figure, nothing like it, when she was seventeen and wore snowy muslin dresses on the family plantation in South Carolina, in pre-abolition days.


The Arrow of Gold
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Blue Flower by Henry van Dyke:

where the oven-bird secretes her nest, and where the wood-cock dances in the air at night; the drumming-log of the ruffed grouse will be easy to find, and you will see the dark lodges of the evergreen thickets inhabited by hundreds of warblers. There will be no dead silence for you in the forest, any longer, but you will hear sweet and delicate voices on every side, voices that you know and love; you will catch the key-note of the silver flute of the woodthrush, and the silver harp of the veery, and the silver bells of the hermit; and something in your heart will answer to them all. In the frosty stillness of October nights you will see the airy tribes flitting across the moon, following

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

an out-islander.

At the first word of this I got downright sick with jealousy.

"And you mean to say you would have married him?" I cried.

"IOE, yes," said she. "I like too much!"

"Well!" I said. "And suppose I had come round after?"

"I like you more better now," said she. "But, suppose I marry Ioane, I one good wife. I no common Kanaka. Good girl!" says she.

Well, I had to be pleased with that; but I promise you I didn't care about the business one little bit. And I liked the end of that yarn no better than the beginning. For it seems this proposal of marriage was the start of all the trouble. It seems, before

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

direction of the flowing water. Hare's thoughts were all of Mescal, and his hopes began to mount, his heart to beat high.

He gazed ahead with straining eyes. Presently there was not a break in the walls. A drowsy hum of falling water came to Hare, strange reminder of the oasis, the dull roar of the Colorado, and of Mescal.

His flagging energies leaped into life with the canyon suddenly opening to bright light and blue sky and beautiful valley, white and gold in blossom, green with grass and cottonwood. On a flower-scented wind rushed that muffled roar again, like distant thunder.

Wolf dashed into the cottonwoods. Silvermane whistled with satisfaction and reached for the long grass.


The Heritage of the Desert