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Today's Stichomancy for Oscar Wilde

The first excerpt represents the past or something you must release, and is drawn from Robinson Crusoe by Daniel Defoe:

and when my nephew told me what they had said to him, and how they had sworn and shook hands that they would, one and all, leave the ship if I was suffered to come on board, I told him he should not be concerned at it at all, for I would stay on shore. I only desired he would take care and send me all my necessary things on shore, and leave me a sufficient sum of money, and I would find my way to England as well as I could. This was a heavy piece of news to my nephew, but there was no way to help it but to comply; so, in short, he went on board the ship again, and satisfied the men that his uncle had yielded to their importunity, and had sent for his goods from on board the ship; so that the matter was over in a few


Robinson Crusoe
The second excerpt represents the present or the deciding factor of the moment, and is drawn from American Notes by Rudyard Kipling:

man, met us in the street, saying that fifteen miles away, across country, we should come upon a place called Clackamas, where we might per-chance find what we desired. And California, his coat-tails flying in the wind, ran to a livery-stable and chartered a wagon and team forthwith. I could push the wagon about with one hand, so light was its structure. The team was purely American--that is to say, almost human in its intelligence and docility. Some one said that the roads were not good on the way to Clackamas, and warned us against smashing the springs. "Portland," who had watched the preparations, finally reckoned "He'd come along, too;" and under heavenly skies we three

The third excerpt represents the future or something you must embrace, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

were strapped on like stilts, his own being covered by wide trousers, and he and the boy sang songs and danced to the music of the drum and cymbals in the hands of the showman. The second part of the performance was a boat ride on dry land. The girl got into the frame, let down around it a piece of cloth which was fastened to the top, and took hold of the frame in such a way as to carry it easily. The boy, with a long stick, pushed as if starting the boat, and then pulled as if rowing, and with every pull of the oar, the girl ran a few steps, making it appear that the boat shot forward. All the while the boy sang a