| The first excerpt represents the past or something you must release, and is drawn from The Redheaded Outfield by Zane Grey: Make a brace! Get up on your toes! Tear
things! Rip the boards off the fence! Don't
quit!''
She exhausted her vocabulary of baseball
language if not her enthusiasm, and paused in blushing
confusion.
``Madge!''
``Will you brace up?''
``Will I--will I!'' he exclaimed, breathlessly.
Madge murmured a hurried good-bye and, turning
away, went up the stairs. Her uncle's private
 The Redheaded Outfield |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Life on the Mississippi by Mark Twain: and pounded him with my fists a considerable time--I do not know how long,
the pleasure of it probably made it seem longer than it really was;--
but in the end he struggled free and jumped up and sprang to the wheel:
a very natural solicitude, for, all this time, here was this steamboat
tearing down the river at the rate of fifteen miles an hour and nobody at
the helm! However, Eagle Bend was two miles wide at this bank-full stage,
and correspondingly long and deep; and the boat was steering herself
straight down the middle and taking no chances. Still, that was only luck--
a body MIGHT have found her charging into the woods.
Perceiving, at a glance, that the 'Pennsylvania' was in no danger,
Brown gathered up the big spy-glass, war-club fashion, and ordered
|
The third excerpt represents the future or something you must embrace, and is drawn from The Great God Pan by Arthur Machen: laboratory. It had once been a billiard-room, and was lighted
by a glass dome in the centre of the ceiling, whence there still
shone a sad grey light on the figure of the doctor as he lit a
lamp with a heavy shade and placed it on a table in the middle
of the room.
Clarke looked about him. Scarcely a foot of wall
remained bare; there were shelves all around laden with bottles
and phials of all shapes and colours, and at one end stood a
little Chippendale book-case. Raymond pointed to this.
"You see that parchment Oswald Crollius? He was one of
the first to show me the way, though I don't think he ever found
 The Great God Pan |