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Today's Stichomancy for Pablo Picasso

The first excerpt represents the past or something you must release, and is drawn from Alcibiades I by Plato:

which are quoted but not named, are still more defective in their external credentials. There may be also a possibility that Aristotle was mistaken, or may have confused the master and his scholars in the case of a short writing; but this is inconceivable about a more important work, e.g. the Laws, especially when we remember that he was living at Athens, and a frequenter of the groves of the Academy, during the last twenty years of Plato's life. Nor must we forget that in all his numerous citations from the Platonic writings he never attributes any passage found in the extant dialogues to any one but Plato. And lastly, we may remark that one or two great writings, such as the Parmenides and the Politicus, which are wholly devoid of Aristotelian (1) credentials may be fairly attributed to Plato,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Altar of the Dead by Henry James:

long curves of the globe such a connexion could only be an improvement: it brought them instantly within reach. Of course there were gaps in the constellation, for Stransom knew he could only pretend to act for his own, and it wasn't every figure passing before his eyes into the great obscure that was entitled to a memorial. There was a strange sanctification in death, but some characters were more sanctified by being forgotten than by being remembered. The greatest blank in the shining page was the memory of Acton Hague, of which he inveterately tried to rid himself. For Acton Hague no flame could ever rise on any altar of his.

CHAPTER IV.

The third excerpt represents the future or something you must embrace, and is drawn from Charmides by Plato:

Dialogues he no longer included in them manufactured articles and ideas of relation, but restricted them to 'types of nature,' and having become convinced that the many cannot be parts of the one, for the idea of participation in them he substituted imitation of them. To quote Dr. Jackson's own expressions,--'whereas in the period of the Republic and the Phaedo, it was proposed to pass through ontology to the sciences, in the period of the Parmenides and the Philebus, it is proposed to pass through the sciences to ontology': or, as he repeats in nearly the same words,-- 'whereas in the Republic and in the Phaedo he had dreamt of passing through ontology to the sciences, he is now content to pass through the sciences to ontology.'