Today's Stichomancy for Pablo Picasso

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Story of an African Farm by Olive Schreiner:

hands were gloved, and he presented the appearance-an appearance rare on that farm--of a well-dressed gentleman.

In an uncommonly melodious voice he inquired whether he might be allowed to remain there for an hour. Waldo directed him to the farmhouse, but the stranger declined. He would merely rest under the trees and give his horse water. He removed the saddle and Waldo led the animal away to the dam. When he returned, the stranger had settled himself under the trees, with his back against the saddle. The boy offered him of the cakes. He declined, but took a draught from the jug; and Waldo lay down not far off and fell to work again. It mattered nothing if cold eyes saw it. It was not his sheep-shearing machine. With material loves, as with human, we go

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of the West by O. Henry:

Merwin threw down his whip and went to the only other bank in town, a private one, run by Cooper & Craig.

"Cooper," he said, to the partner by that name, "I've got to have $10,000 to-day or to-morrow. I've got a house and lot there that's worth about $6,000 and that's all the actual collateral. But I've got a cattle deal on that's sure to bring me in more than that much profit within a few days."

Cooper began to cough.

"Now, for God's sake don't say no," said Merwin. "I owe that much money on a call loan. It's been called, and the man that called it is a man I've laid on the same blanket with in cow-camps and ranger-camps

Heart of the West

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Country Doctor by Honore de Balzac:

"Well, Vigneau has two more wagons and teams like that one, and he has a small pony besides for business purposes, for he does trade over a wide area. And only four years ago he had nothing in the world! Stay, that is a mistake--he had some debts. But let us go in."

"Is Mme. Vigneau in the house?" Benassis asked of the young wagoner.

"She is out in the garden, sir; I saw her just now by the hedge down yonder; I will go and tell her that you are here."

Genestas followed Benassis across a wide open space with a hedge about it. In one corner various heaps of clay had been piled up, destined for tiles and pantiles, and a stack of brushwood and logs (fuel for the kiln no doubt) lay in another part of the enclosure. Farther away

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

begged to know what had happened. "Countess," returned Franz, totally unheeding her raillery, "I asked you a short time since if you knew any particulars respecting the Albanian lady opposite; I must now beseech you to inform me who and what is her husband?"

"Nay," answered the countess, "I know no more of him than yourself."

"Perhaps you never before noticed him?"

"What a question -- so truly French! Do you not know that we Italians have eyes only for the man we love?"

"True," replied Franz.

The Count of Monte Cristo