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Today's Stichomancy for Pablo Picasso

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Night and Day by Virginia Woolf:

replaced it. She fell silent. The orchids seemed to suggest absorbing reflections. In defiance of the rules she stretched her ungloved hand and touched one. The sight of the rubies upon her finger affected him so disagreeably that he started and turned away. But next moment he controlled himself; he looked at her taking in one strange shape after another with the contemplative, considering gaze of a person who sees not exactly what is before him, but gropes in regions that lie beyond it. The far-away look entirely lacked self-consciousness. Denham doubted whether she remembered his presence. He could recall himself, of course, by a word or a movement--but why? She was happier thus. She needed nothing that he could give her. And for him, too, perhaps, it

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Baltimore by Owen Wister:

their millions--and besides, there would be nothing to marvel at in Beverly's presence in any company that should include Hortense Rieppe, if she carried out the promise of her voice.

Beverly was his customary, charming, effusive self, coming out of the automobile to me with his "By Jove, old man," and his "Who'd have thought it, old fellow?" and sprinkling urbane little drops of jocosity over us collectively, as the garden water-turning apparatus sprinkles a lawn. His knowing me, and the way he brought it out, and even the tumbling into the road of a few wraps and chattels of travel as he descended from the automobile, and the necessity of picking these up and handing them back with delightful little jocular apologies, such as, "By Jove, what a lout

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maid Marian by Thomas Love Peacock:

"But I will swim the moat," said Matilda.

"But I will secure the gates," said the baron.

"But I will leap from the battlement," said Matilda.

"But I will lock you in an upper chamber," said the baron.

"But I will shred the tapestry," said Matilda, "and let myself down."

"But I will lock you in a turret," said the baron, "where you shall only see light through a loophole."

"But through that loophole," said Matilda, "will I take my flight, like a young eagle from its eerie; and, father, while I go out freely, I will return willingly: but if once I slip out through a loop-hole----" She paused a moment, and then added, singing,--

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Virginian by Owen Wister:

intentions ain't been declared," said the Virginian. And we went along our ridge for some distance. Then, suddenly he turned down and guided us almost at once to the trail. "That's it," he said. "See."

The track of a horse was very fresh on the trail. But it was a galloping horse now, and no bootprints were keeping up with it any more. No boots could have kept up with it. The rider was making time to-day. Yesterday that horse had been ridden up into the mountains at leisure. Who was on him? There was never to be any certain answer to that. But who was not on him? We turned back in our journey, back into the heart of that basin with the


The Virginian