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Today's Stichomancy for Pablo Picasso

The first excerpt represents the past or something you must release, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

ranged, row above row, under the wide-vaulted bays with their gilt- surrounding adornments. Every few seconds an attendant would make her appearance, bustling along with tickets in her hand and piloting in front of her a gentleman and a lady, who took their seats, he in his evening dress, she sitting slim and undulant beside him while her eyes wandered slowly round the house.

Two young men appeared in the stalls; they kept standing and looked about them.

"Didn't I say so, Hector?" cried the elder of the two, a tall fellow with little black mustaches. "We're too early! You might quite well have allowed me to finish my cigar."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Professor by Charlotte Bronte:

admits of no doubt;" and, fearful of the harangue being renewed, I retreated under cover of that cordial sentence of assent.

At the date of a fortnight after the little incident noted above, I find it recorded in my diary that a hiatus occurred in Mdlle. Henri's usually regular attendance in class. The first day or two I wondered at her absence, but did not like to ask an explanation of it; I thought indeed some chance word might be dropped which would afford me the information I wished to obtain, without my running the risk of exciting silly smiles and gossiping whispers by demanding it. But when a week passed and the seat at the desk near the door still remained vacant, and


The Professor
The third excerpt represents the future or something you must embrace, and is drawn from Cratylus by Plato:

hands to heaven would mean lightness and upwardness; heaviness and downwardness would be expressed by letting them drop to the ground; if we were describing the running of a horse, or any other animal, we should make our bodies and their gestures as like as we could to them.

HERMOGENES: I do not see that we could do anything else.

SOCRATES: We could not; for by bodily imitation only can the body ever express anything.

HERMOGENES: Very true.

SOCRATES: And when we want to express ourselves, either with the voice, or tongue, or mouth, the expression is simply their imitation of that which we want to express.