The first excerpt represents the past or something you must release, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: ranged, row above row, under the wide-vaulted bays with their gilt-
surrounding adornments. Every few seconds an attendant would make
her appearance, bustling along with tickets in her hand and piloting
in front of her a gentleman and a lady, who took their seats, he in
his evening dress, she sitting slim and undulant beside him while
her eyes wandered slowly round the house.
Two young men appeared in the stalls; they kept standing and looked
about them.
"Didn't I say so, Hector?" cried the elder of the two, a tall fellow
with little black mustaches. "We're too early! You might quite
well have allowed me to finish my cigar."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Professor by Charlotte Bronte: admits of no doubt;" and, fearful of the harangue being renewed,
I retreated under cover of that cordial sentence of assent.
At the date of a fortnight after the little incident noted above,
I find it recorded in my diary that a hiatus occurred in Mdlle.
Henri's usually regular attendance in class. The first day or
two I wondered at her absence, but did not like to ask an
explanation of it; I thought indeed some chance word might be
dropped which would afford me the information I wished to obtain,
without my running the risk of exciting silly smiles and
gossiping whispers by demanding it. But when a week passed and
the seat at the desk near the door still remained vacant, and
 The Professor |
The third excerpt represents the future or something you must embrace, and is drawn from Cratylus by Plato: hands to heaven would mean lightness and upwardness; heaviness and
downwardness would be expressed by letting them drop to the ground; if we
were describing the running of a horse, or any other animal, we should make
our bodies and their gestures as like as we could to them.
HERMOGENES: I do not see that we could do anything else.
SOCRATES: We could not; for by bodily imitation only can the body ever
express anything.
HERMOGENES: Very true.
SOCRATES: And when we want to express ourselves, either with the voice, or
tongue, or mouth, the expression is simply their imitation of that which we
want to express.
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