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Today's Stichomancy for Pamela Anderson

The first excerpt represents the past or something you must release, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

septentrionibus, ut ante dictum est, posita est,] non modo frumenta in agris matura non erant, sed ne pabuli quidem satis magna copia suppetebat; eo autem frumento quod flumine Arari navibus subvexerat propterea uti minus poterat quod iter ab Arari Helvetii averterant, a quibus discedere nolebat. Diem ex die ducere Haedui: conferri, comportari, adesse dicere. Ubi se diutius duci intellexit et diem instare quo die frumentum militibus metiri oporteret, convocatis eorum principibus, quorum magnam copiam in castris habebat, in his Diviciaco et Lisco, qui summo magistratui praeerat, quem vergobretum appellant Haedui, qui creatur annuus et vitae necisque in suos habet potestatem, graviter eos accusat, quod, cum neque emi neque ex agris sumi possit, tam necessario tempore,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

they consumed and assimilated the god represented by the victim, and thus became filled with the divine ecstasy." Compare also the Hindu doctrine of Praj

Such instances of early communal feasts, which fulfilled the double part of confirming on the one hand the solidarity of the tribe, and on the other of bringing the tribe, by the shedding of the blood of a divine Victim into close relationship with the very source of its life, are plentiful to find. "The sacramental rite," says Professor Robertson- Smith,[1] "is also an atoning rite, which brings the community again into harmony with its alienated god--atonement


Pagan and Christian Creeds
The third excerpt represents the future or something you must embrace, and is drawn from The Reef by Edith Wharton:

that particular moment, to be reminded that naturalness is not always consonant with taste.

She seemed to guess his thought. "You don't like my saying that you came for Lady Ulrica?" she asked, leaning over the table to pour herself a second cup of tea.

He liked her quickness, at any rate. "It's better," he laughed, "than your thinking I came for Mrs. Murrett!"

"Oh, we never thought anybody came for Mrs. Murrett! It was always for something else: the music, or the cook--when there was a good one--or the other people; generally ONE of the other people."