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Today's Stichomancy for Pamela Colman Smith

The first excerpt represents the past or something you must release, and is drawn from On Revenues by Xenophon:

in the mining district various sources of revenue will accrue, whether from the market at Sunium, or from the various state buildings in connection with the silver mines, from furnaces and all the rest. Since we must expect a thickly populated city to spring up here, if organised in the way proposed, and plots of land will become as valuable to owners out there as they are to those who possess them in the neighbourhood of the capital.

[63] I adopt Zurborg's correction, {prosphora} for {eisphora}, as obviously right. See above, iv. 23.

If, at this point, I may assume my proposals to have been carried into effect, I think I can promise, not only that our city shall be

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:

them. Then there are successive entries that A and B cleared, or left the country, and finally that C was visited, with, I fear, a sinister result for C. Well, I think, Doctor, that we may let some light into this dark place, and I believe that the only chance young Openshaw has in the meantime is to do what I have told him. There is nothing more to be said or to be done to-night, so hand me over my violin and let us try to forget for half an hour the miserable weather and the still more miserable ways of our fellow-men."

It had cleared in the morning, and the sun was shining with a subdued brightness through the dim veil which hangs over the


The Adventures of Sherlock Holmes
The third excerpt represents the future or something you must embrace, and is drawn from Resurrection by Leo Tolstoy:

blue-edged uniform jacket, with gold cords on the sleeves, and a blue belt. Here also, as in the men's room, the people were pressing close to the wire netting on both sides; on the nearer side, the townspeople in varied attire; on the further side, the prisoners, some in white prison clothes, others in their own coloured dresses. The whole length of the net was taken up by the people standing close to it. Some rose on tiptoe to be heard across the heads of others; some sat talking on the floor.

The most remarkable of the prisoners, both by her piercing screams and her appearance, was a thin, dishevelled gipsy. Her kerchief had slipped off her curly hair, and she stood near a


Resurrection