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Today's Stichomancy for Pamela Colman Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Children of the Night by Edwin Arlington Robinson:

Do we shut from ourselves our own salvation, -- Or what do we do! I tell you, Dominie, There are times in the lives of us poor devils When heaven and hell get mixed. Though conscience May come like a whisper of Christ to warn us Away from our sins, it is lost or laughed at, -- And then we fall. And for all who have fallen -- Even for him -- I hold no malice, Nor much compassion: a mightier mercy Than mine must shrive him. -- And I -- I am going Into the light? -- or into the darkness?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Memorabilia by Xenophon:

shall not by means of it be cast out of his city. To suppose that all these matters lay within the scope of human judgment, to the exclusion of the preternatural, was preternatural folly. Nor was it less extravagant to go and consult the will of Heaven on any questions which it is given to us to decide by dint of learning. As though a man should inquire, "Am I to choose an expert driver as my coachman, or one who has never handled the reins?" "Shall I appoint a mariner to be skipper of my vessel, or a landsman?" And so with respect to all we may know by numbering, weighing, and measuring. To seek advice from Heaven on such points was a sort of profanity. "Our duty is plain," he would observe; "where we are permitted to work through our natural


The Memorabilia
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Off on a Comet by Jules Verne:

"I must take care of my head, then, and hold it on," replied the irrepressible orderly.

Unable to get the last word, the professor was about to retire, when Servadac detained him.

"Permit me to ask you one more question," he said. "Can you tell me what is the nature of the soil of Gallia?"

"Yes, I can answer that. And in this matter I do not think your impertinent orderly will venture to put Montmartre into the comparison. This soil is of a substance not unknown upon the earth." And speaking very slowly, the professor said: "It contains 70 per cent. of tellurium, and 30 per cent. of gold."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

the foreground: Caliban Malvolio. And it seems to me as if, in the persons of these brothers-in-law, we had the two sides of rusticity fairly well represented: the hunter living really in nature; the clodhopper living merely out of society: the one bent up in every corporal agent to capacity in one pursuit, doing at least one thing keenly and thoughtfully, and thoroughly alive to all that touches it; the other in the inert and bestial state, walking in a faint dream, and taking so dim an impression of the myriad sides of life that he is truly conscious of nothing but himself. It is only in the fastnesses of nature, forests, mountains, and