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Today's Stichomancy for Pamela Colman Smith

The first excerpt represents the past or something you must release, and is drawn from The Alkahest by Honore de Balzac:

litigation between the Molinas of Douai and the branch of the family which remained in Spain. The Molinas of Leon won the domain and assumed the title of Comtes de Nourho, though the Claes alone had a legal right to it. But the pride of a Belgian burgher was superior to the haughty arrogance of Castile: after the civil rights were instituted, Balthazar Claes cast aside the ragged robes of his Spanish nobility for his more illustrious descent from the Ghent martyr.

The patriotic sentiment was so strongly developed in the families exiled under Charles V. that, to the very close of the eighteenth century, the Claes remained faithful to the manners and customs and traditions of their ancestors. They married into none but the purest

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

to me fast eneuch, when ye hae gotten a jo. I'm tellin' ye and it's true; when you have a jo, Miss Kirstie, it'll be for guid and ill. I ken: I was made that way mysel', but the deil was in my luck! Here, gang awa wi' ye to your muirs, and let me be; I'm in an hour of inspiraution, ye upsetting tawpie!"

But she clung to her brother's neighbourhood, she knew not why.

"Will ye no gie's a kiss, Dand?" she said. "I aye likit ye fine."

He kissed her and considered her a moment; he found something strange in her. But he was a libertine through and through, nourished equal contempt and suspicion of all womankind, and paid his way among them habitually with idle compliments.

The third excerpt represents the future or something you must embrace, and is drawn from Journey to the Center of the Earth by Jules Verne:

A deep silence falls on all around. The lately roaring winds are hushed into a dead calm; nature seems to breathe no more, and to be sinking into the stillness of death. On the mast already I see the light play of a lambent St. Elmo's fire; the outstretched sail catches not a breath of wind, and hangs like a sheet of lead. The rudder stands motionless in a sluggish, waveless sea. But if we have now ceased to advance why do we yet leave that sail loose, which at the first shock of the tempest may capsize us in a moment?

"Let us reef the sail and cut the mast down!" I cried. "That will be safest."

"No, no! Never!" shouted my impetuous uncle. "Never! Let the wind


Journey to the Center of the Earth