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Today's Stichomancy for Pamela Colman Smith

The first excerpt represents the past or something you must release, and is drawn from Wuthering Heights by Emily Bronte:

Skulker: it had spent its whelphood at the Grange, and was given by my father to Mr. Hindley. I fancy it knew me: it pushed its nose against mine by way of salute, and then hastened to devour the porridge; while I groped from step to step, collecting the shattered earthenware, and drying the spatters of milk from the banister with my pocket-handkerchief. Our labours were scarcely over when I heard Earnshaw's tread in the passage; my assistant tucked in his tail, and pressed to the wall; I stole into the nearest doorway. The dog's endeavour to avoid him was unsuccessful; as I guessed by a scutter down-stairs, and a prolonged, piteous yelping. I had better luck: he passed on,


Wuthering Heights
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Woman of No Importance by Oscar Wilde:

to have missions. He should always say much more than he means, and always mean much more than he says.

LADY HUNSTANTON. But how could he do both, dear?

MRS. ALLONBY. He should never run down other pretty women. That would show he had no taste, or make one suspect that he had too much. No; he should be nice about them all, but say that somehow they don't attract him.

LADY STUTFIELD. Yes, that is always very, very pleasant to hear about other women.

MRS. ALLONBY. If we ask him a question about anything, he should give us an answer all about ourselves. He should invariably praise

The third excerpt represents the future or something you must embrace, and is drawn from An Inland Voyage by Robert Louis Stevenson:

this smooth, break-neck gallop, when we came upon a hamlet and asked where we were, we had got no farther than four kilometres (say two miles and a half) from Origny. If it were not for the honour of the thing (in the Scots saying), we might almost as well have been standing still.

We lunched on a meadow inside a parallelogram of poplars. The leaves danced and prattled in the wind all round about us. The river hurried on meanwhile, and seemed to chide at our delay. Little we cared. The river knew where it was going; not so we: the less our hurry, where we found good quarters and a pleasant theatre for a pipe. At that hour, stockbrokers were shouting in