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Today's Stichomancy for Pamela Colman Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fanny Herself by Edna Ferber:

Christmas trade. That had been ten years before. It was too expensive; or too pretentious, or perhaps even too horrible for the bucolic purse. At any rate, it had been taken out, brushed, dusted, and placed on its stand every holiday season for ten years. On the day after Christmas it was always there, its lightning-struck plush face staring wildly out upon the ravaged fancy-goods counter. It would be packed in its box again and consigned to its long summer's sleep. It had seen three towns, and many changes. The four dollars that Ferdinand Brandeis had invested in it still remained unturned.


Fanny Herself
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Mirth by Edith Wharton:

of seeking her there, he was fully alive to the privilege of having her to look at and listen to while he lounged in Mattie Gormer's dishevelled drawing-room.

Lily had thus formed, in the tumult of her surroundings, a little nucleus of friendly relations which mitigated the crudeness of her course in lingering with the Gormers after their return. Nor was she without pale glimpses of her own world, especially since the breaking-up of the Newport season had set the social current once more toward Long Island. Kate Corby, whose tastes made her as promiscuous as Carry Fisher was rendered by her necessities, occasionally descended on the Gormers, where, after

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from De Profundis by Oscar Wilde:

wisdom sometimes talk of suffering as a mystery. It is really a revelation. One discerns things one never discerned before. One approaches the whole of history from a different standpoint. What one had felt dimly, through instinct, about art, is intellectually and emotionally realised with perfect clearness of vision and absolute intensity of apprehension.

I now see that sorrow, being the supreme emotion of which man is capable, is at once the type and test of all great art. What the artist is always looking for is the mode of existence in which soul and body are one and indivisible: in which the outward is expressive of the inward: in which form reveals. Of such modes of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tom Sawyer Abroad by Mark Twain:

dey ain't nobody to stop him!"

It made Tom fly, but it took the stiffening all out of my legs. I could only just gasp along the way you do in a dream when there's a ghost gaining on you.

Tom got to the ladder and shinned up it a piece and waited for me; and as soon as I got a foothold on it he shouted to Jim to soar away. But Jim had clean lost his head, and said he had forgot how. So Tom shinned along up and told me to follow; but the lion was arriving, fetching a most ghastly roar with every lope, and my legs shook so I dasn't try to take one of