| The first excerpt represents the past or something you must release, and is drawn from Marie by H. Rider Haggard: Both he and his wife were dead, and their son, Hernando, Marie's cousin,
had inherited all their very considerable wealth.
Indeed, now I remembered having heard this Hernando, or Hernan, as the
Boers called him for short, spoken of in past years by the Heer Marais
as the heir to great riches, since his father had made a large fortune
by trading in wine and spirits under some Government monopoly which he
held. Often he had been invited to visit Maraisfontein, but his
parents, who doted on him and lived in one of the settled districts not
far from Cape Town, would never allow him to travel so far from them
into these wild regions.
Since their death, however, things had changed. It appeared that on the
 Marie |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Wheels of Chance by H. G. Wells: getting down if he chanced to draw closely upon them round a
corner. By riding vigorously he kept quite conveniently near
them, for they made but little hurry. He grew hot indeed, and his
knees were a little stiff to begin with, but that was all. There
was little danger of losing them, for a thin chalky dust lay upon
the road, and the track of her tire was milled like a shilling,
and his was a chequered ribbon along the way. So they rode by
Cobden's monument and through the prettiest of villages, until at
last the downs rose steeply ahead. There they stopped awhile at
the only inn in the place, and Mr. Hoopdriver took up a position
which commanded the inn door, and mopped his face and thirsted
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The third excerpt represents the future or something you must embrace, and is drawn from The Damnation of Theron Ware by Harold Frederic: to show that the house was astir, and a minute afterward
made his way out of the room and down the stairs,
the boards creaking under his stockinged feet as he went.
Nearly a quarter of an hour passed before he returned.
Sister Soulsby, lying in sleepy quiescence, heard vague
sounds of voices at the front door, and did not feel
interested enough to lift her head and listen. A noise
of footsteps on the sidewalk followed, first receding
from the door, then turning toward it, this second
time marking the presence of more than one person.
There seemed in this the implication of a guest, and she
 The Damnation of Theron Ware |