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Today's Stichomancy for Paris Hilton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great God Pan by Arthur Machen:

Helen Vaughan, or Mrs. Herbert, is only the beginning. She will come back to London, Austin; depend on it, she will come back, and we shall hear more about her then. I doubt it will be very pleasant news."

VI

THE SUICIDES

Lord Argentine was a great favourite in London Society. At twenty he had been a poor man, decked with the surname of an illustrious family, but forced to earn a livelihood as best he could, and the most speculative of money-lenders would not have entrusted him with fifty pounds on


The Great God Pan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

greatest thing in the world."

Suddenly, there was a tap at the door, and Cynthia peeped in.

"I--I only----"

"Come in," I said, springing up.

She came in, but did not sit down.

"I--only wanted to tell you something----"

"Yes?"

Cynthia fidgeted with a little tassel for some moments, then, suddenly exclaiming: "You dears!" kissed first me and then Poirot, and rushed out of the room again.

"What on earth does this mean?" I asked, surprised.


The Mysterious Affair at Styles
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from La Grande Breteche by Honore de Balzac:

dictating a lease.)--In short, that she burnt everything in the meadow at Merret. Have you been to Merret, monsieur?--No,' said he, answering himself, 'Ah, it is a very fine place.'

" 'For about three months previously,' he went on, with a jerk of his head, 'the Count and Countess had lived in a very eccentric way; they admitted no visitors; Madame lived on the ground-floor, and Monsieur on the first floor. When the Countess was left alone, she was never seen excepting at church. Subsequently, at home, at the chateau, she refused to see the friends, whether gentlemen or ladies, who went to call on her. She was already very much altered when she left la Grande Breteche to go to Merret. That dear lady--I say dear lady, for it was


La Grande Breteche
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Another Study of Woman by Honore de Balzac:

Cadignan.

"And in France taste is more than cleverness," said the Russian.

"This woman's cleverness is the triumph of a purely plastic art," Blondet went on. "You will not know what she said, but you will be fascinated. She will toss her head, or gently shrug her white shoulders; she will gild an insignificant speech with a charming pout and smile; or throw a Voltairean epigram into an 'Indeed!' an 'Ah!' a 'What then!' A jerk of her head will be her most pertinent form of questioning; she will give meaning to the movement by which she twirls a vinaigrette hanging to her finger by a ring. She gets an artificial grandeur out of superlative trivialities; she simply drops her hand