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Today's Stichomancy for Paul McCartney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Grogan by F. Hopkinson Smith:

mere trifle. What were companies made for but to be cheated?

Tom stood for a minute looking him all over.

"Dennis Quigg," she said slowly, weighing each word, her eyes riveted on his face, "ye're a very sharp young man; ye're so very sharp that I wonder ye've gone so long without cuttin' yerself, But one thing I tell ye, an' that is, if ye keep on the way ye're a-goin' ye'll land where you belong, and that's up the river in a potato-bug suit of clothes. Turn yer head this way, Quigg. Did ye niver in yer whole life think there was somethin' worth the havin' in bein' honest an' clean an' square, an' holdin' yer head up like a man, instead of skulkin' round like a thief? What ye're

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Prufrock/Other Observations by T. S. Eliot:

For the yellow smoke that slides along the street, Rubbing its back upon the window-panes; There will be time, there will be time To prepare a face to meet the faces that you meet; There will be time to murder and create, And time for all the works and days of hands That lift and drop a question on your plate; Time for you and time for me, And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea.


Prufrock/Other Observations
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Aspern Papers by Henry James:

on the shady side of sleepy little squares. In spite of these pastimes, which were mechanical and perfunctory, I scantily enjoyed my journey: there was too strong a taste of the disagreeable in my life. I had been devilish awkward, as the young men say, to be found by Miss Bordereau in the dead of night examining the attachment of her bureau; and it had not been less so to have to believe for a good many hours afterward that it was highly probable I had killed her. In writing to Miss Tita I attempted to minimize these irregularities; but as she gave me no word of answer I could not know what impression I made upon her. It rankled in my mind that I had been called a publishing scoundrel, for certainly I did publish and certainly I had not been very delicate.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A House of Pomegranates by Oscar Wilde:

with branches for three hundred wax lights hung down from the black and white ceiling. Underneath a great canopy of gold cloth, on which the lions and towers of Castile were broidered in seed pearls, stood the throne itself, covered with a rich pall of black velvet studded with silver tulips and elaborately fringed with silver and pearls. On the second step of the throne was placed the kneeling-stool of the Infanta, with its cushion of cloth of silver tissue, and below that again, and beyond the limit of the canopy, stood the chair for the Papal Nuncio, who alone had the right to be seated in the King's presence on the occasion of any public ceremonial, and whose Cardinal's hat, with its tangled scarlet