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Today's Stichomancy for Paul Newman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Betty Zane by Zane Grey:

the hillside from which they rode into the village before the inhabitants knew what had happened. Not an Indian raised a weapon. There were screams from the women and children, a shouted command from Big Tree, and then all stood still and waited.

Thundercloud, the war chief of the Wyandots, pulled his black stallion back on his haunches not twenty feet from the prisoner at the stake. His band of painted devils closed in behind him. Full two hundred strong were they and all picked warriors tried and true. They were naked to the waist. Across their brawny chests ran a broad bar of flaming red paint; hideous designs in black and white covered their faces. Every head had been clean-shaven except where the scalp lock bristled like a porcupine's quills. Each warrior carried a


Betty Zane
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Breaking Point by Mary Roberts Rinehart:

admitted him, and that thereafter he had remained and had helped her to care for the sick man.

Unfortunately for the rest of the narrative it appeared that the injured woman had here lapsed into a coma, and had subsequently died, carrying her further knowledge with her.

But, the article went on, the story opened a field of infinite surmise. In all probability Judson Clark was still alive, living under some assumed identity, free of punishment, outwardly respectable. Three years before he had been adjudged legally dead, and the estate divided, under bond of the legatees.

Close to a hundred million dollars had gone to charities, and


The Breaking Point
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wrecker by Stevenson & Osbourne:

wine, an artless substitute for after-dinner wit.

Of all our visitors, I believe I preferred Emperor Norton; the very mention of whose name reminds me I am doing scanty justice to the folks of San Francisco. In what other city would a harmless madman who supposed himself emperor of the two Americas have been so fostered and encouraged? Where else would even the people of the streets have respected the poor soul's illusion? Where else would bankers and merchants have received his visits, cashed his cheques, and submitted to his small assessments? Where else would he have been suffered to attend and address the exhibition days of schools and colleges?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sons and Lovers by D. H. Lawrence:

They walked on in silence for some time.

"But you can't really give her up," said Clara.

"I don't give her up, because there's nothing to give," he said.

"There is for her."

"I don't know why she and I shouldn't be friends as long as we live," he said. "But it'll only be friends."

Clara drew away from him, leaning away from contact with him.

"What are you drawing away for?" he asked.

She did not answer, but drew farther from him.

"Why do you want to walk alone?" he asked.


Sons and Lovers