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Today's Stichomancy for Paul Newman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

would regard as in itself a symbol of servility. In Sparta, on the contrary, the stronger a man is the more readily does he bow before constituted authority. And indeed, they magnify themselves on their humility, and on a prompt obedience, running, or at any rate not crawling with laggard step, at the word of command. Such an example of eager discipline, they are persuaded, set by themselves, will not fail to be followed by the rest. And this is precisely what has taken place. It[4] is reasonable to suppose that it was these same noblest members of the state who combined[5] to lay the foundation of the ephorate, after they had come to the conclusion themselves, that of all the blessings which a state, or an army, or a household, can

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twenty Years After by Alexandre Dumas:

confess I can discover no other safe and satisfactory way."

"Let us see," said Aramis, "how are we to act?"

"I have arranged two plans. Firstly, at a given signal, which shall be the words `At last,' you each plunge a dagger into the heart of the soldier nearest to you. We, on our side, do the same. That will be four killed. We shall then be matched, four against the remaining five. If these five men give themselves up we gag them; if they resist, we kill them. If by chance our Amphitryon changes his mind and receives only Porthos and myself, why, then, we must resort to heroic measures and each give two strokes instead of one.


Twenty Years After
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Adieu by Honore de Balzac:

gestures that had all the mechanical velocity of a monkey's motions. When she was very sure there was nothing more, she looked at Philippe with clear eyes, without ideas, with recognition. Then she would play with him, trying at times to take off his boots to see his feet, tearing his gloves, putting on his hat; she would even let him pass his hands through her hair, and take her in his arms; she accepted, but without pleasure, his ardent kisses. She would look at him silently, without emotion, when his tears flowed; but she always understood his "Partant pour la Syrie," when he whistled it, though he never succeeded in teaching her to say her own name Stephanie.

Philippe was sustained in his agonizing enterprise by hope, which

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 1492 by Mary Johntson:

were wholly gone. But out of the river, though the skies were clear, again rushed against them an enemy wind. They lay at anchor in river mouth, waiting on propitiousness. But we, up the river, thought they were gone. That night, before dawn, Quibian attacked us.

We had several killed, and the Adelantado was hurt in the breast, and many others had their wounds. But we thundered with our cannon and we loosed two bloodhounds and we charged. For a time the brown, naked foe fought desperately, but at last he broke. Far streamed five hundred fleeing particles into the gloomy, the deep, the matted