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Today's Stichomancy for Paul Newman

The first excerpt represents the past or something you must release, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

behind the horse and fired at the oncoming Arab.

His bullet, going low, struck Achmet Zek's horse in the breast, bringing him down a hundred yards from where Werper lay preparing to fire a second shot.

The Arab, who had gone down with his mount, was standing astride him, and seeing the Belgian's strategic position behind his fallen horse, lost no time in taking up a similar one behind his own.

And there the two lay, alternately firing at and cursing each other, while from behind the Arab, Tarzan of the Apes approached to the edge of the forest. Here


Tarzan and the Jewels of Opar
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Euthyphro by Plato:

EUTHYPHRO: I hope that he may; but I rather fear, Socrates, that the opposite will turn out to be the truth. My opinion is that in attacking you he is simply aiming a blow at the foundation of the state. But in what way does he say that you corrupt the young?

SOCRATES: He brings a wonderful accusation against me, which at first hearing excites surprise: he says that I am a poet or maker of gods, and that I invent new gods and deny the existence of old ones; this is the ground of his indictment.

EUTHYPHRO: I understand, Socrates; he means to attack you about the familiar sign which occasionally, as you say, comes to you. He thinks that you are a neologian, and he is going to have you up before the court for

The third excerpt represents the future or something you must embrace, and is drawn from The Wife, et al by Anton Chekhov:

whatnot and begins to play patience. According to him, some varieties of patience require great concentration and attention, yet while he lays out the cards he does not leave off distracting his attention with talk. Katya watches his cards attentively, and more by gesture than by words helps him in his play. She drinks no more than a couple of wine-glasses of wine the whole evening; I drink four glasses, and the rest of the bottle falls to the share of Mihail Fyodorovitch, who can drink a great deal and never get drunk.

Over our patience we settle various questions, principally of the higher order, and what we care for most of all -- that is,