| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gobseck by Honore de Balzac: much as he did. Had he any relations or friends? Was he rich or poor?
Nobody could give an answer to these questions. I myself never saw
money in his room. Doubtless his capital was safely stowed in the
strong rooms of the Bank. He used to collect his bills himself as they
fell due, running all over Paris on a pair of shanks as skinny as a
stag's. On occasion he would be a martyr to prudence. One day, when he
happened to have gold in his pockets, a double napoleon worked its
way, somehow or other, out of his fob and fell, and another lodger
following him up the stairs picked up the coin and returned it to its
owner.
" 'That isn't mine!' said he, with a start of surprise. 'Mine indeed!
 Gobseck |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Time Machine by H. G. Wells: I was wasting my time in the academic examination of machinery.
I called to mind that it was already far advanced in the
afternoon, and that I had still no weapon, no refuge, and no
means of making a fire. And then down in the remote blackness of
the gallery I heard a peculiar pattering, and the same odd noises
I had heard down the well.
`I took Weena's hand. Then, struck with a sudden idea, I left
her and turned to a machine from which projected a lever not
unlike those in a signal-box. Clambering upon the stand, and
grasping this lever in my hands, I put all my weight upon it
sideways. Suddenly Weena, deserted in the central aisle, began
 The Time Machine |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner: almost convicted of this crime now. You have already acknowledged
so much, that there is but little more for you to say. If you make
an open confession, it will be greatly to your advantage."
Again the room was quiet while the others waited for what would
happen. For a moment the tramp stood silent, with the commissioner's
right hand resting on his shoulder. Then there was a sudden movement,
a struggle and a shout, and the two policemen had overpowered the
prisoner and held him firmly. Muller rose quickly and sprang to his
chief's side. Riedau had not even changed colour, and he said
calmly: "Oh, never mind, Muller; sit down again. The man had
handcuffs on and he is quite quiet now. I think he has sense enough
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Deserted Woman by Honore de Balzac: succeed in this compassionate design. He would write a letter at once
to allay her suspicions. /A letter!/ For a woman with the most
exquisite feminine perception, as well as the intuition of passionate
love, a letter in itself was a sentence of death.
So when Jacques came and brought Mme. de Beauseant a sheet of paper
folded in a triangle, she trembled, poor woman, like a snared swallow.
A mysterious sensation of physical cold spread from head to foot,
wrapping her about in an icy winding sheet. If he did not rush to her
feet, if he did not come to her in tears, and pale, and like a lover,
she knew that all was lost. And yet, so many hopes are there in the
heart of a woman who loves, that she is only slain by stab after stab,
|