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Today's Stichomancy for Penelope Cruz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Robinson Crusoe by Daniel Defoe:

for another world; for there was little or nothing more for us to do in this. That which was our present comfort, and all the comfort we had, was that, contrary to our expectation, the ship did not break yet, and that the master said the wind began to abate.

Now, though we thought that the wind did a little abate, yet the ship having thus struck upon the sand, and sticking too fast for us to expect her getting off, we were in a dreadful condition indeed, and had nothing to do but to think of saving our lives as well as we could. We had a boat at our stern just before the storm, but she was first staved by dashing against the ship's rudder, and in the next place she broke away, and either sunk or was driven off to


Robinson Crusoe
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Alkahest by Honore de Balzac:

mother, and the magnificent wedding-gifts, made to her by her brother, the Duke of Casa-Real.

Few women were ever happier than Madame Claes. Her happiness lasted for fifteen years without a cloud, diffusing itself like a vivid light into every nook and detail of her life. Most men have inequalities of character which produce discord, and deprive their households of the harmony which is the ideal of a home; the majority are blemished with some littleness or meanness, and meanness of any kind begets bickering. One man is honorable and diligent, but hard and crabbed; another kindly, but obstinate; this one loves his wife, yet his will is arbitrary and uncertain; that other, preoccupied by ambition, pays

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Two Brides by Honore de Balzac:

luncheon, we were told that you had both gone, and, above all, when the postilion who took you to Marseilles handed me your mad letter. Why, naughty child, it was of your happiness, and nothing else, that made the theme of those talks below the rock, on the "Louise" seat, and you had not the faintest justification for objecting to them. /Ingrata!/ My sentence on you is that you return here at my first summons. In that horrid letter, scribbled on the inn paper, you did not tell me what would be your next stopping place; so I must address this to Chantepleurs.

Listen to me, dear sister of my heart. Know first, that my mind is set on your happiness. Your husband, dear Louise, commands respect, not

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Wuthering Heights by Emily Bronte:

Catherine; she was not artful, never played the coquette, and had evidently an objection to her two friends meeting at all; for when Heathcliff expressed contempt of Linton in his presence, she could not half coincide, as she did in his absence; and when Linton evinced disgust and antipathy to Heathcliff, she dared not treat his sentiments with indifference, as if depreciation of her playmate were of scarcely any consequence to her. I've had many a laugh at her perplexities and untold troubles, which she vainly strove to hide from my mockery. That sounds ill-natured: but she was so proud it became really impossible to pity her distresses, till she should be chastened into more humility. She did bring


Wuthering Heights