| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Allan Quatermain by H. Rider Haggard: and, lifting his head a little, whinnied faintly. I could have
shouted for joy to find that he was not dead, only unfortunately
I had not a shout left in me; but as it was, grooms were sent
for and he was lifted up and wine poured down his throat, and
in a fortnight he was as well and strong as ever, and is the
pride and joy of all the people of Milosis, who, whenever they
see him, point him out to the little children as the 'horse which
saved the White Queen's life'.
Then I went on and got off to bed, and was washed and had my
mail shirt removed. They hurt me a great deal in getting it
off, and no wonder, for on my left breast and side was a black
 Allan Quatermain |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Chatterley's Lover by D. H. Lawrence: always liked the female in her. Not so much of her mother in her as in
Hilda. And he had always disliked Clifford. So he was pleased, and very
tender with his daughter, as if the unborn child were his child.
He drove with her to Hartland's hotel, and saw her installed: then went
round to his club. She had refused his company for the evening.
She found a letter from Mellors.
I won't come round to your hotel, but I'll wait for you outside the
Golden Cock in Adam Street at seven.
There he stood, tall and slender, and so different, in a formal suit of
thin dark cloth. He had a natural distinction, but he had not the
cut-to-pattern look of her class. Yet, she saw at once, he could go
 Lady Chatterley's Lover |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Weir of Hermiston by Robert Louis Stevenson: and roosted within; and it would have tasked a landscape gardener to say
where policy ended and unpolicied nature began. My lord had been led by
the influence of Mr. Sheriff Scott into a considerable design of
planting; many acres were accordingly set out with fir, and the little
feathery besoms gave a false scale and lent a strange air of a toy-shop
to the moors. A great, rooty sweetness of bogs was in the air, and at
all seasons an infinite melancholy piping of hill birds. Standing so
high and with so little shelter, it was a cold, exposed house, splashed
by showers, drenched by continuous rains that made the gutters to spout,
beaten upon and buffeted by all the winds of heaven; and the prospect
would be often black with tempest, and often white with the snows of
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chance by Joseph Conrad: swim with your clothes on. However, I didn't feel as if I were in
deep water at first. I left the shipping office quietly and for a
time strolled along the street as easy as if I had a week before me
to fit myself out. But by and by I reflected that the notice was
even shorter than it looked. The afternoon was well advanced; I had
some things to get, a lot of small matters to attend to, one or two
persons to see. One of them was an aunt of mine, my only relation,
who quarrelled with poor father as long as he lived about some silly
matter that had neither right nor wrong to it. She left her money
to me when she died. I used always to go and see her for decency's
sake. I had so much to do before night that I didn't know where to
 Chance |