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Today's Stichomancy for Penelope Cruz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from End of the Tether by Joseph Conrad:

old Swinburne, his mate, every time he came down to his meals he stood transfixed with admiration before the progress of the work. You could almost smell these roses, he declared, sniffing the faint flavor of turpentine which at that time pervaded the saloon, and (as he con- fessed afterwards) made him somewhat less hearty than usual in tackling his food. But there was nothing of the sort to interfere with his enjoyment of her singing. "Mrs. Whalley is a regular out-and-out nightingale, sir," he would pronounce with a judicial air after listen- ing profoundly over the skylight to the very end of the


End of the Tether
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dracula by Bram Stoker:

he remained of a ghastly whiteness. He was still silent. Van Helsing forced back the leaden flange, and we all looked in and recoiled.

The coffin was empty!

For several minutes no one spoke a word. The silence was broken by Quincey Morris, "Professor, I answered for you. Your word is all I want. I wouldn't ask such a thing ordinarily, I wouldn't so dishonor you as to imply a doubt, but this is a mystery that goes beyond any honor or dishonor. Is this your doing?"

"I swear to you by all that I hold sacred that I have


Dracula
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Story of an African Farm by Olive Schreiner:

into the house of this Boer's child and shaking hands as though he came on horseback! Oh, no, no!"

The stranger took off his hat, a tall, battered chimneypot, and disclosed a bald head, at the back of which was a little fringe of curled white hair, and he bowed to Tant Sannie.

"What does she remark, my friend?" he inquired, turning his crosswise- looking eyes on the old German.

The German rubbed his old hands and hesitated.

"Ah--well--ah--the--Dutch--you know--do not like people who walk--in this country--ah!"

"My dear friend," said the stranger, laying his hand on the German's arm,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land of Footprints by Stewart Edward White:

into one of the small glades we caught sight of the herd travelling slowly but steadily from right to left. The glimpse was only momentary, but it was sufficient to indicate the direction from which we might expect them to emerge. Therefore we ran at top speed down from our own hill, tore through the jungle at its foot, and hastily, but with more caution, mounted the opposite slope through the scattered groves and high grass. We could hear occasionally indications of the buffaloes' slow advance, and we wanted to gain a good ambuscade above them before they emerged. We found it in the shape of a small conical hillock perched on the side hill itself, and covered with long grass. It