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Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Kidnapped Santa Claus by L. Frank Baum:

gentle and refined features, and his voice was soft and pleasant in tone.

"My brother Daemons do not trust me overmuch," said he, as he entered the cavern; "but it is morning, now, and the mischief is done. You cannot visit the children again for another year."

"That is true," answered Santa Claus, almost cheerfully; "Christmas Eve is past, and for the first time in centuries I have not visited my children."

"The little ones will be greatly disappointed," murmured the Daemon of Repentance, almost regretfully; "but that cannot be helped now. Their grief is likely to make the children selfish and envious and hateful, and if they come to the Caves of the Daemons today I shall get a


A Kidnapped Santa Claus
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Essays & Lectures by Oscar Wilde:

the audience shows how well he appreciates the great truth that the aim of art is not to reveal personality but to please. The clown may be blatant, but the acrobat is always beautiful. He is an interesting combination of the spirit of Greek sculpture with the spangles of the modern costumier. He has even had his niche in the novels of our age, and if MANETTE SALOMON be the unmasking of the model, LES FRERES ZEMGANNO is the apotheosis of the acrobat.

As regards the influence of the ordinary model on our English school of painting, it cannot be said that it is altogether good. It is, of course, an advantage for the young artist sitting in his studio to be able to isolate 'a little corner of life,' as the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Varieties of Religious Experience by William James:

be postponed until we treat of mysticism.

A third peculiarity of the assurance state is the objective change which the world often appears to undergo. "An appearance of newness beautifies every object," the precise opposite of that other sort of newness, that dreadful unreality and strangeness in the appearance of the world, which is experienced by melancholy patients, and of which you may recall my relating some examples.[135] This sense of clean and beautiful newness within and without is one of the commonest entries in conversion records. Jonathan Edwards thus describes it in himself:--

[135] Above, p. 150.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

little live rabbit, there is no telling but they would dig up a dead one." So the hole was made at least four inches deep, Bunny was buried in it, and the earth, with Joey's assistance, stamped down hard, but afterwards it was loosened somewhat to plant a little wild-wood plant atop of the tiny grave. "Now, Joey, you wait here till I go bring something for a tombstone," Tattine directed, and in a second she was back again with the cover of a box in one hand and a red crayon in the other. Sitting flat upon the grass, she printed on the cover in rather irregular letters:--

BORN--I don't know when. DIED June 17th. LAVERACK SETTERS NOT ALLOWED.

This she put securely into place, while Joey raked up a little about the spot,