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Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wrecker by Stevenson & Osbourne:

this remarkable opportunity?"

"One hundred dollars," said Pinkerton.

"One hundred dollars from Mr. Pinkerton," went the auctioneer, "one hundred dollars. No other gentleman inclined to make any advance? One hundred dollars, only one hundred dollars----"

The auctioneer was droning on to some such tune as this, and I, on my part, was watching with something between sympathy and amazement the undisguised emotion of Captain Trent, when we were all startled by the interjection of a bid.

"And fifty," said a sharp voice.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maria, or the Wrongs of Woman by Mary Wollstonecraft:

"After uttering a few more complaints, I prevailed on my landlady to go out in quest of a lodging; and, to be more secure, I condescended to the mean shift of changing my name.

"But why should I dwell on similar incidents!--I was hunted, like an infected beast, from three different apartments, and should not have been allowed to rest in any, had not Mr. Venables, informed of my uncle's dangerous state of health, been inspired with the fear of hurrying me out of the world as I advanced in my pregnancy, by thus tormenting and obliging me to take sudden journeys to avoid him; and then his speculations on my uncle's fortune must prove abortive.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Long Odds by H. Rider Haggard:

its face, rose a great piled-up mass of boulders, in the crevices and on the top of which grew ferns, grasses, and stunted bushes. This mass was about twenty-five feet high. The sides of the kloof here were also very steep. Well, I came to the top of the nullah and looked all round. No signs of the lion. Evidently I had either overlooked him further down or he had escaped right away. It was very vexatious; but still three lions were not a bad bag for one gun before dinner, and I was fain to be content. Accordingly I departed back again, making my way round the isolated pillar of boulders, beginning to feel, as I did so, that I was pretty well done up with excitement and fatigue, and should be more so before I had skinned those three lions. When I had got, as nearly as I


Long Odds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Baby Mine by Margaret Mayo:

chosen this ill-fated moment to appear on the threshold with one babe on each arm.

"Here they are," she said graciously, then stopped in amazement at sight of the horrified Alfred, clasping a third infant to his breast.

"Good God!" exclaimed Alfred, stroking his forehead with his unoccupied hand, and gazing at what he firmly believed must be an apparition, "THOSE aren't MINE," he pointed to the two red mites in Aggie's arms.

"Wh--why not, Alfred?" stammered Aggie for the want of something better to say.