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Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of War by Sun Tzu:

deficient.

[Cf. IV. ss. 6.]

25. In making tactical dispositions, the highest pitch you can attain is to conceal them;

[The piquancy of the paradox evaporates in translation. Concealment is perhaps not so much actual invisibility (see supra ss. 9) as "showing no sign" of what you mean to do, of the plans that are formed in your brain.]

conceal your dispositions, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.


The Art of War
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

second look to know that it was Woola--my faithful Woola who had thus well performed his arduous task and brought the succoring legions in the nick of time. "In the nick of time?" Who yet might say that they were not too late to save, but surely they could avenge! And such retribution as that unconquered army would deal out to the hateful Okarians! I sighed to think that I might not be alive to witness it.


The Warlord of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Footnote to History by Robert Louis Stevenson:

offender. Remember, besides, that the clan system, and that imperfect idea of justice which is its worst feature, are still lively in Samoa; that it is held the duty of a judge to favour kinsmen, of a king to protect his vassals; and the difficulty of getting a plantation thief first caught, then convicted, and last of all punished, will appear.

During the early 'eighties, the Germans looked upon this system with growing irritation. They might see their convict thrust in gaol by the front door; they could never tell how soon he was enfranchised by the back; and they need not be the least surprised if they met him, a few days after, enjoying the delights of a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

that could betray him. Your fright had already confused your mind. You were searching probably for the weapon from which he had fired the bullet. You did not realise that he would naturally have taken it with him and thrown it somewhere into a ravine or river beside the railway track between here and Venice. How could you think for a moment that he would leave it behind him, here in his room, or dropped in the garden? But this was doubtless due to the confusion owing to your sudden alarm and anxiety - a confusion which prevented you from realising the danger of the two peculiarly hung mirrors in Mr. Thorne's room. These should have been taken away at once. This morning my sudden appearance at the garden gate prevented you from