The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Theaetetus by Plato: then dropped. No further use is made of the device. As Plato himself
remarks, who in this as in some other minute points is imitated by Cicero
(De Amicitia), the interlocutory words are omitted.
Theaetetus, the hero of the battle of Corinth and of the dialogue, is a
disciple of Theodorus, the great geometrician, whose science is thus
indicated to be the propaedeutic to philosophy. An interest has been
already excited about him by his approaching death, and now he is
introduced to us anew by the praises of his master Theodorus. He is a
youthful Socrates, and exhibits the same contrast of the fair soul and the
ungainly face and frame, the Silenus mask and the god within, which are
described in the Symposium. The picture which Theodorus gives of his
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Soul of a Bishop by H. G. Wells: her gravest observations with an unjust faint aroma of absurdity.
She wrote with a thin pen in a rounded boyish handwriting. She
italicized with slashes of the pen.
He held this letter in both hands between his knees, and
considered it now with an expression that brought his eyebrows
forward until they almost met, and that tucked in the corners of
his mouth.
"My dear Bishop," it began.
"I keep thinking and thinking and thinking of that wonderful
service, of the wonderful, wonderful things you said, and the
wonderful choice you made of the moment to say them--when all
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