| The first excerpt represents the past or something you must release, and is drawn from Prufrock/Other Observations by T. S. Eliot: Wearily, as one would turn to nod good-bye to Rochefoucauld
If the street were time and he at the end of the street,
And I say, "Cousin Harriet, here is the Boston Evening Transcript."
Aunt Helen
Miss Helen Slingsby was my maiden aunt,
And lived in a small house near a fashionable square
Cared for by servants to the number of four.
Now when she died there was silence in heaven
And silence at her end of the street.
The shutters were drawn and the undertaker wiped his feet--
 Prufrock/Other Observations |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Episode Under the Terror by Honore de Balzac: panes. She seemed to recognize the old-fashioned violet silk mantle,
for she went at once to a drawer as if in search of something put
aside for the newcomer. Not only did this movement and the expression
of the woman's face show a very evident desire to be rid as soon as
possible of an unwelcome visitor, but she even permitted herself an
impatient exclamation when the drawer proved to be empty. Without
looking at the lady, she hurried from her desk into the back shop and
called to her husband, who appeared at once.
"Wherever have you put?----" she began mysteriously, glancing at the
customer by way of finishing her question.
The pastry-cook could only see the old lady's head-dress, a huge black
|
The third excerpt represents the future or something you must embrace, and is drawn from Flame and Shadow by Sara Teasdale: Many a holy gift you gave me,
Music and friends and happy love
More than my dearest dreaming of;
And now in this wide twilight hour
With earth and heaven a dark, blue flower,
In a humble mood I bless
Your wisdom -- and your waywardness.
You brought me even here, where I
Live on a hill against the sky
And look on mountains and the sea
And a thin white moon in the pepper tree.
|