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Today's Stichomancy for Peter Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Odyssey by Homer:

sacked the town, breaking out from their ambuscade. He sang how they overran the city hither and thither and ravaged it, and how Ulysses went raging like Mars along with Menelaus to the house of Deiphobus. It was there that the fight raged most furiously, nevertheless by Minerva's help he was victorious.

All this he told, but Ulysses was overcome as he heard him, and his cheeks were wet with tears. He wept as a woman weeps when she throws herself on the body of her husband who has fallen before his own city and people, fighting bravely in defence of his home and children. She screams aloud and flings her arms about him as he lies gasping for breath and dying, but her


The Odyssey
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fisherman's Luck by Henry van Dyke:

turning on his side, and I netted him in my hat.

"Bully for us;" said the boy, "we got him! What a dandy!"

It was indeed one of the handsomest fish that I have ever taken on the South Side,--just short of two pounds and a quarter,--small head, broad tail, and well-rounded sides coloured with orange and blue and gold and red. A pair of the same kind, one weighing two pounds and the other a pound and three quarters, were taken by careful fishing down the lower end of the pool, and then we rowed home through the dusk, pleasantly convinced that there is no virtue more certainly rewarded than the patience of anglers, and entirely willing to put up with a cold supper and a mild reproof for the sake

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Edition of The Ambassadors by Henry James:

red-haired and long-legged, they were quaint and queer and dear and droll; they made the place resound with the vernacular, which he had never known so marked as when figuring for the chosen language, he must suppose, of contemporary art. They twanged with a vengeance the aesthetic lyre--they drew from it wonderful airs. This aspect of their life had an admirable innocence; and he looked on occasion at Maria Gostrey to see to what extent that element reached her. She gave him however for the hour, as she had given him the previous day, no further sign than to show how she dealt with boys; meeting them with the air of old Parisian practice that she had for every one, for everything, in turn.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

"Ah! do you want something of me?"

"Yes."

"If you want me to pose as I did the other day," she said, with a little pouting air, "I will not do it. Your eyes say nothing to me, then. You look at me, but you do not think of me."

"Would you like me to copy another woman?"

"Perhaps," she answered, "if she were very ugly."

"Well," continued Poussin, in a grave tone, "if to make me a great painter it were necessary to pose to some one else--"

"You are testing me," she interrupted; "you know well that I would not do it."