| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sarrasine by Honore de Balzac: "But," said Madame de Rochefide, "what connection is there between
this story and the little old man we saw at the Lantys'?"
"Madame, Cardinal Cicognara took possession of Zambinella's statue and
had it reproduced in marble; it is in the Albani Museum to-day. In
1794 the Lanty family discovered it there, and asked Vien to copy it.
The portrait which showed you Zambinella at twenty, a moment after you
had seen him as a centenarian, afterward figured in Girodet's
/Endymion/; you yourself recognized the type in /Adonis/."
"But this Zambinella, male or female--"
"Must be, madame, Marianina's maternal great uncle. You can conceive
now Madame de Lanty's interest in concealing the source of a fortune
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis: through the dusty crowds, had speculative eyes, that measured
their oats at night with a "you-don't-cheat-me" look. Even the
churches had not the grave repose of the old brown house yonder
in the hills, where the few field-people--Arians, Calvinists,
Churchmen-- gathered every Sunday, and air and sunshine and
God's charity made the day holy. These churches lifted their
hard stone faces insolently, registering their yearly alms in the
morning journals. To be sure the back-seats were free for the
poor; but the emblazoned crimson of the windows, the carving of
the arches, the very purity of the preacher's style, said plainly
that it was easier for a camel to go through the eye of a needle
 Margret Howth: A Story of To-day |