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Today's Stichomancy for Peter Sellers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Louis Lambert by Honore de Balzac:

suggest a vague image of chaste nudity and the simplicity of Truth in all things? The syllable seems to me singularly crisp and fresh.

"I chose the formula of an abstract idea on purpose, not wishing to illustrate the case by a word which should make it too obvious to the apprehension, as the word /Flight/ for instance, which is a direct appeal to the senses.

"But is it not so with every root word? They are all stamped with a living power that comes from the soul, and which they restore to the soul through the mysterious and wonderful action and reaction between thought and speech. Might we not speak of it as a lover who finds on his mistress' lips as much love as he gives? Thus, by their mere


Louis Lambert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flower Fables by Louisa May Alcott:

evil deeds, and would not trust him now; so poor Thistle found few to love or care for him.

Long he wandered, and carefully he sought; but could not find the Earth Spirits' home. And when at length he reached the pleasant garden where he and Lily-Bell first parted, he said within himself,--

"Here I will stay awhile, and try to win by kindly deeds the flowers' forgiveness for the pain and sorrow I brought them long ago; and they may learn to love and trust me. So, even if I never find the Spirits, I shall be worthier Lily-Bell's affection if I strive to atone for the wrong I have done."

Then he went among the flowers, but they closed their leaves, and


Flower Fables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from War and the Future by H. G. Wells:

"incuria"--to use the new slang--attains to its most monumental in this matter.

So there is not much to say about how the British think about the French. They do not think. They feel. At the outbreak of the war, when the performance of France seemed doubtful, there was an enormous feeling for France in Great Britain; it was like the formless feeling one has for a brother. It was as if Britain had discovered a new instinct. If France had crumpled up like paper, the English would have fought on passionately to restore her. That is ancient history now. Now the English still feel fraternal and fraternally proud; but in a mute way they are

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beauty and The Beast by Bayard Taylor:

Something hard pressed her cheek, and she lifted her hand to move it aside. He drew forth a flat medallion case; and to the unconscious question in her face, such a sad, tender smile came to his lips, that she could not repress a sudden pain. Was it the miniature of his dead wife?

He opened the case, and showed her, under the glass, a faded, pressed flower.

"What is it?" she asked.

"The Brandywine cowslip you dropped, when you spoke to me in the lane. Then it was that you showed me the first step of the way."

She laid her head again upon his bosom. Hour after hour they sat,