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Today's Stichomancy for Phil Mickelson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Master Key by L. Frank Baum:

He soon came to a stop, however, and saw that another of the monsters had come upon him from the rear and was now, with its mate, circling closely around him, while both uttered continuously their hoarse, savage cries.

Rob wondered why the Garment of Repulsion had not protected him from the blow of the bird's wing; but, as a matter of fact, it had protected him. For it was not the wing itself but the force of the eddying currents of air that had sent him whirling away from the monster. With the indicator at zero the magnetic currents and the opposing powers of attraction and repulsion were so evenly balanced that any violent atmospheric disturbance affected him in the same way


The Master Key
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Some Reminiscences by Joseph Conrad:

together in a bunch, his head hung down, and his tail remained pendent in a nerveless and absolute immobility. He reminded me vividly of the pathetic little sheep which hangs on the collar of the Order of the Golden Fleece. I had no idea that anything in the shape of a horse could be so limp as that, either living or dead. His wild mane hung down lumpily, a mere mass of inanimate horsehair; his aggressive ears had collapsed, but as he went swaying slowly across the front of the bridge I noticed an astute gleam in his dreamy, half-closed eye. A trustworthy quartermaster, his glance anxious and his mouth on the broad grin, was easing over the derrick watchfully. I superintended,


Some Reminiscences
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beast in the Jungle by Henry James:

intrinsic features, pictures, heirlooms, treasures of all the arts, that made the place almost famous; and the great rooms were so numerous that guests could wander at their will, hang back from the principal group and in cases where they took such matters with the last seriousness give themselves up to mysterious appreciations and measurements. There were persons to be observed, singly or in couples, bending toward objects in out-of-the-way corners with their hands on their knees and their heads nodding quite as with the emphasis of an excited sense of smell. When they were two they either mingled their sounds of ecstasy or melted into silences of even deeper import, so that there were aspects of the occasion that

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Marvelous Land of Oz by L. Frank Baum:

curling antenna, or "feeler," and its ears from the upper points bore antennae that decorated the sides of its head like two miniature, curling pig tails. It must be admitted that the round, black eyes were rather bulging in appearance; but the expression upon the Woggle-Bug's face was by no means unpleasant.

For dress the insect wore a dark-blue swallowtail coat with a yellow silk lining and a flower in the button-hole; a vest of white duck that stretched

145 tightly across the wide body; knickerbockers of fawn-colored plush, fastened at the knees with gilt buckles; and, perched upon its small head, was jauntily set a tall silk hat.


The Marvelous Land of Oz