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Today's Stichomancy for Phil Mickelson

The first excerpt represents the past or something you must release, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

and in the moonlight beyond she saw the heads and shoulders of two men.

As Clayton rounded the corner of the cabin to behold the animal disappearing within, it was also to see the ape-man seize the long tail in both hands, and, bracing himself with his feet against the side of the cabin, throw all his mighty strength into the effort to draw the beast out of the interior.

Clayton was quick to lend a hand, but the ape-man jabbered to him in a commanding and peremptory tone something which Clayton knew to be orders, though he could not understand them.


Tarzan of the Apes
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

posse, statuit expectandam classem. Quae ubi convenit ac primum ab hostibus visa est, circiter CCXX naves eorum paratissimae atque omni genere armorum ornatissimae profectae ex portu nostris adversae constiterunt; neque satis Bruto, qui classi praeerat, vel tribunis militum centurionibusque, quibus singulae naves erant attributae, constabat quid agerent aut quam rationem pugnae insisterent. Rostro enim noceri non posse cognoverant; turribus autem excitatis tamen has altitudo puppium ex barbaris navibus superabat, ut neque ex inferiore loco satis commode tela adigi possent et missa a Gallis gravius acciderent. Una erat magno usui res praeparata a nostris, falces praeacutae insertae adfixaeque longuriis, non absimili forma muralium falcium. His cum funes qui antemnas ad malos

The third excerpt represents the future or something you must embrace, and is drawn from Little Britain by Washington Irving:

perceived the infection had taken hold; and that my neighbors, after condemning, were beginning to follow their example. I overheard my landlady importuning her husband to let their daughters have one quarter at French and music, and that they might take a few lessons in quadrille. I even saw, in the course of a few Sundays, no less than five French bonnets, precisely like those of the Miss Lambs, parading about Little Britain.

I still had my hopes that all this folly would gradually die away; that the Lambs might move out of the neighborhood; might die, or might run away with attorneys' apprentices; and that quiet and simplicity might be again restored to the