Today's Stichomancy for Phil Mickelson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

~Cloth, 12mo, $1.25~

Edwin Arlington Robinson's comedy "Van Zorn" proved him to be one of the most accomplished of the younger generation of American dramatists. Of this play the ~Boston Transcript~ said, "It is an effective presentation of modern life in New York City, in which a poet shows his skill of playwrighting . . . he brings to the American drama to-day a thing it sadly lacks, and that is character." In manner and technique Mr. Robinson's new play, "The Porcupine", recalls some of the work of Ibsen. Written adroitly and with the literary cleverness exhibited in "Van Zorn", it tells a story of a domestic entanglement in a dramatic fashion well calculated to hold the reader's attention.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life of the Spider by J. Henri Fabre:

The two hind-legs, the weaving implements, keep going constantly. Let us name them according to their position on the work-floor. I call the leg that faces the centre of the coil, when the animal moves, the 'inner leg;' the one outside the coil the 'outer leg.'

The latter draws the thread from the spinneret and passes it to the inner leg, which, with a graceful movement, lays it on the radius crossed. At the same time, the first leg measures the distance; it grips the last coil placed in position and brings within a suitable range that point of the radius whereto the thread is to be fixed. As soon as the radius is touched, the thread sticks to it by its own glue. There are no slow operations, no knots: the fixing is

The Life of the Spider

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

once!"

Steiner shrugged his shoulders. Since the previous day his irritation had been hourly increasing. He had received letters which necessitated his leaving the following morning, added to which he did not much appreciate coming down to the country in order to sleep on the drawing-room divan.

"And this poor baby boy!" Nana continued, melting suddenly at sight of Georges's pale face as he still sat rigid and breathless in front of her.

"D'you think Mamma recognized me?" he stammered at last.

"Oh, most surely she did! Why, she cried out! But it's my fault.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

Dora frightened the men, that her cleverness was of a kind to paralyze any sentiment of the sort that might be expected. It depended upon Mrs. Harris's humour whether this was Dora's misfortune or her crime. She, Dora, never frightened me, and by the time her cleverness dawned upon me, my sentiment about her had become too robust to be paralyzed. On the contrary, the agreeable stimulus it gave me was one of the things I counted most valuable in my life out there. It hardly mattered, however, that I should confess this; I was not a young man in Harris's department. I had a department of my own; and Dora, though she frisked with me gloriously and bullied continually, must ever have been aware of the