| The first excerpt represents the past or something you must release, and is drawn from Enoch Arden, &c. by Alfred Tennyson: Fairer than Rachel by the palmy well,
Fairer than Ruth among the fields of corn,
Fair as the Angel that said `hail' she seem'd,
Who entering fill'd the house with sudden light.
For so mine own was brighten'd: where indeed
The roof so lowly but that beam of Heaven
Dawn'd sometime thro' the doorway? whose the babe
Too ragged to be fondled on her lap,
Warm'd at her bosom? The poor child of shame,
The common care whom no one cared for, leapt
To greet her, wasting his forgotten heart,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Woman of No Importance by Oscar Wilde: be allowed to admit that he has been entirely in the wrong, and
when he has admitted that, it becomes a woman's duty to forgive,
and one can do it all over again from the beginning, with
variations.
LADY HUNSTANTON. How clever you are, my dear! You never mean a
single word you say.
LADY STUTFIELD. Thank you, thank you. It has been quite, quite
entrancing. I must try and remember it all. There are such a
number of details that are so very, very important.
LADY CAROLINE. But you have not told us yet what the reward of the
Ideal Man is to be.
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The third excerpt represents the future or something you must embrace, and is drawn from Romeo and Juliet by William Shakespeare: This is deare mercy, and thou seest it not
Rom. 'Tis Torture and not mercy, heauen is here
Where Iuliet liues, and euery Cat and Dog,
And little Mouse, euery vnworthy thing
Liue here in Heauen and may looke on her,
But Romeo may not. More Validitie,
More Honourable state, more Courtship liues
In carrion Flies, then Romeo: they may seaze
On the white wonder of deare Iuliets hand,
And steale immortall blessing from her lips,
Who euen in pure and vestall modestie
Romeo and Juliet |
