Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Pierce Brosnan

The first excerpt represents the past or something you must release, and is drawn from Fantastic Fables by Ambrose Bierce:

part; the roar of the strife reaches his ear like the distant murmur of the ocean. Happy, thrice happy man! I will approach him and bask in the sunshine of his humble felicity. Peasant, all hail!"

Leaning upon his rake, the Peasant returned the salutation with a nod, but said nothing.

"My friend," said the Office Seeker, "you see before you the wreck of an ambitious man - ruined by the pursuit of place and power. This morning when I set out from the national capital - "

"Stranger," the Peasant interrupted, "if you're going back there soon maybe you wouldn't mind using your influence to make me


Fantastic Fables
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mucker by Edgar Rice Burroughs:

nodded, knowingly, and poked Billy in the ribs. Then he watched him mount and ride out of the corral toward the south--which was also in the direction of the bank, to the rear of which Billy rode without effort to conceal his movements.

There he dismounted and left his horse standing with the bridle reins dragging upon the ground, while he removed the lariat from the pommel of the saddle, and, stuffing it inside his shirt, walked back to the street on which the building stood, and so made his way past the sentry and to his room.

Here he pushed back the bed which he had drawn over the hole in the floor, dropped his two sacks through into the


The Mucker
The third excerpt represents the future or something you must embrace, and is drawn from Ferragus by Honore de Balzac:

leather hood. Nevertheless, he was badly wounded in the side. For the second time in ten days he was carried home in a fainting condition to his terrified grandmother. This second accident gave him a feeling of distrust; he thought, though vaguely, of Ferragus and Madame Jules. To throw light on these suspicions he had the broken axle brought to his room and sent for his carriage-maker. The man examined the axle and the fracture, and proved two things: First, the axle was not made in his workshop; he furnished none that did not bear the initials of his name on the iron. But he could not explain by what means this axle had been substituted for the other. Secondly, the breakage of the suspicious axle was caused by a hollow space having been blown in it


Ferragus