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Today's Stichomancy for Rachel Weisz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

his quick, bright eyes scanning the interior of the palisade.

No one was in sight. His eyes rested upon the open doorway of a nearby hut. He would take a look within, thought Tarzan, and so, cautiously, he approached the low thatched building.

For a moment he stood without, listening intently. There was no sound, and he glided into the semi-darkness of the interior.

Weapons hung against the walls--long spears, strangely shaped knives, a couple of narrow shields. In the center of the room was a cooking pot, and at the far end a litter of dry grasses covered by woven mats which evidently served the owners as beds and bedding. Several human skulls lay upon


Tarzan of the Apes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mayflower Compact:

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The Mayflower Compact

November 11, 1620 [This was November 21, old style calendar]

In the name of God, Amen. We, whose names are underwritten, the Loyal Subjects of our dread Sovereigne Lord, King James, by the Grace of God, of Great Britaine, France, and Ireland,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Romeo and Juliet by William Shakespeare:

Fel. Things for the Cooke sir, but I know not what

Cap. Make hast, make hast, sirrah, fetch drier Logs. Call Peter, he will shew thee where they are

Fel. I haue a head sir, that will find out logs, And neuer trouble Peter for the matter

Cap. Masse and well said, a merrie horson, ha, Thou shalt be loggerhead; good Father, 'tis day.

Play Musicke

The Countie will be here with Musicke straight, For so he said he would, I heare him neere, Nurse, wife, what ho? what Nurse I say?


Romeo and Juliet
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

They had commenced to make a little better progress when word reached them that Rokoff was but a few marches behind them, and that he had at last discovered the direction of their flight. It was then that Anderssen took to the river, purchasing a canoe from a chief whose village lay a short distance from the Ugambi upon the bank of a tributary.

Thereafter the little party of fugitives fled up the broad Ugambi, and so rapid had their flight become that they no longer received word of their pursuers. At the end of canoe navigation upon the river, they abandoned their canoe and took to the jungle. Here progress became at once arduous,


The Beasts of Tarzan