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Today's Stichomancy for Rachel Weisz

The first excerpt represents the past or something you must release, and is drawn from The Last War: A World Set Free by H. G. Wells:

on with their administrative duties forthwith. He knew of this place, because he had happened upon it when holiday-making with Madame Leblanc twenty years and more ago. 'There is very simple fare at present,' he explained, 'on account of the disturbed state of the countries about us. But we have excellent fresh milk, good red wine, beef, bread, salad, and lemons. . . . In a few days I hope to place things in the hands of a more efficient caterer....'

The members of the new world government dined at three long tables on trestles, and down the middle of these tables Leblanc, in spite of the barrenness of his menu, had contrived to have a


The Last War: A World Set Free
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ferragus by Honore de Balzac:

humiliated; you are all forgiven now; you have done no wrong. Listen, Jules; yesterday you did crush me--harshly; but perhaps my life would not have been complete without that agony; it may be a shadow that will make our coming days celestial."

"You lay a spell upon me," cried Jules; "you fill me with remorse."

"Poor love! destiny is stronger than we, and I am not the accomplice of mine. I shall go out to-morrow."

"At what hour?" asked Jules.

"At half-past nine."

"Clemence," he said, "take every precaution; consult Doctor Desplein and old Haudry."


Ferragus
The third excerpt represents the future or something you must embrace, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

-- so that even a Woman in reasonable health can journey several furlongs northward without much difficulty -- yet the hampering effect of the southward attraction is quite sufficient to serve as a compass in most parts of our earth. Moreover, the rain (which falls at stated intervals) coming always from the North, is an additional assistance; and in the towns we have the guidance of the houses, which of course have their side-walls running for the most part North and South, so that the roofs may keep off the rain from the North. In the country, where there are no houses, the trunks of the trees serve as some sort of guide. Altogether, we have not so much difficulty as might be expected


Flatland: A Romance of Many Dimensions