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Today's Stichomancy for Rachel Weisz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

series of dates. These covered a period of many years, but I observed that the entries ceased nearly a year ago and quite abruptly. Here and there a brief remark was appended to a date, usually no more than a single word: "double" occurring perhaps six times in a total of several hundred entries; and once very early in the list and followed by several marks of exclamation, "total failure!!!" All this, though it whetted my curiosity, told me little that was definite. Here were a phial of some salt, and the record of a series of experiments that had led (like too many of Jekyll's investigations) to no end of practical usefulness. How could the presence of these articles in my house affect either the


The Strange Case of Dr. Jekyll and Mr. Hyde
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Woodlanders by Thomas Hardy:

medical man to be married, and sometimes, begad, 'twould be pleasant enough in this place, with the wind roaring round the house, and the rain and the boughs beating against it. I hear that you lost your life-holds by the death of South?"

"I did. I lost in more ways than one."

They had reached the top of Hintock Lane or Street, if it could be called such where three-quarters of the road-side consisted of copse and orchard. One of the first houses to be passed was Melbury's. A light was shining from a bedroom window facing lengthwise of the lane. Winterborne glanced at it, and saw what was coming. He had withheld an answer to the doctor's inquiry to


The Woodlanders
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Death of the Lion by Henry James:

of certain proximate steps and stages. The scheme of my narrative allows no space for these things, and in any case a prohibitory sentiment would hang about my recollection of so rare an hour. These meagre notes are essentially private, so that if they see the light the insidious forces that, as my story itself shows, make at present for publicity will simply have overmastered my precautions. The curtain fell lately enough on the lamentable drama. My memory of the day I alighted at Mr. Paraday's door is a fresh memory of kindness, hospitality, compassion, and of the wonderful illuminating talk in which the welcome was conveyed. Some voice of the air had taught me the right moment, the moment of his life at

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sylvie and Bruno by Lewis Carroll:

Sylvie like best?"

Bruno had to put his thumb in his mouth and consider a little before he could answer. "Violets," he said, at last.

"There's a beautiful bed of violets down by the brook--"

"Oh, let's fetch 'em!" cried Bruno, giving a little skip into the air. "Here! Catch hold of my hand, and I'll help oo along. The grass is rather thick down that way."

I couldn't help laughing at his having so entirely forgotten what a big creature he was talking to. "No, not yet, Bruno," I said: "we must consider what's the right thing to do first. You see we've got quite a business before us."


Sylvie and Bruno