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Today's Stichomancy for Ray Bradbury

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

one which, so far as I am aware, no one has been able to analyse, and which the ingenious speculation of Mr. Herbert Spencer as to the origin of music leaves quite unexplained. For it is certain that the MELODIC effect of a series of sounds does not depend in the least on their loudness or softness, or on their ABSOLUTE pitch. A tune is always the same tune, whether it is sung loudly or softly, by a child or a man; whether it is played on a flute or on a trombone. The purely musical effect of any sound depends on its place in what is technically called a `scale;' the same sound producing absolutely different effects on the ear, according as it is heard in connection with one or another series of sounds.


Expression of Emotion in Man and Animals
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Professor by Charlotte Bronte:

consistent with the character for modest dignity she wished to establish, she proceeded, in a demure voice: "Truly, my dear Francois, I will not deny that this young Englishman may have made some attempts to ingratiate himself with me; but, so far from giving him any encouragement, I have always treated him with as much reserve as it was possible to combine with civility; affianced as I am to you, I would give no man false hopes; believe me, dear friend." Still Pelet uttered murmurs of distrust--so I judged, at least, from her reply.

"What folly! How could I prefer an unknown foreigner to you? And then--not to flatter your vanity--Crimsworth could not bear


The Professor
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedrus by Plato:

them to the same pleasures, and similarity begets friendship; yet you may have more than enough even of this; and verily constraint is always said to be grievous. Now the lover is not only unlike his beloved, but he forces himself upon him. For he is old and his love is young, and neither day nor night will he leave him if he can help; necessity and the sting of desire drive him on, and allure him with the pleasure which he receives from seeing, hearing, touching, perceiving him in every way. And therefore he is delighted to fasten upon him and to minister to him. But what pleasure or consolation can the beloved be receiving all this time? Must he not feel the extremity of disgust when he looks at an old shrivelled face and the remainder to match, which even in a description is disagreeable, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart:

aranging things, although you may not care to have the Funeral Baked Meats set fourth to grace the Marriage Table. If she refuses me, we might become engaged. You and I."

To proposals in one day. Ye gods!

I was obliged therfore to tell him I was already engaged, and he looked very queer, especialy when I told him to whom it was.

"Pup!" he said, in a manner which I excused because of his natural feelings at being preceded. "And of course this is the real thing?"

"I am not one to change easily, Carter" I said. "When I give I give freely. A thing like this, with me, is to Eternaty, and even beyond."

He is usualy most polite, but he got up then and said: