| The first excerpt represents the past or something you must release, and is drawn from Enoch Arden, &c. by Alfred Tennyson: There he sat down gazing on all below;
There did a thousand memories roll upon him,
Unspeakable for sadness. By and by
The ruddy square of comfortable light,
Far-blazing from the rear of Philip's house,
Allured him, as the beacon-blaze allures
The bird of passage, till he madly strikes
Against it, and beats out his weary life.
For Philip's dwelling fronted on the street,
The latest house to landward; but behind,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Lear by William Shakespeare: thee.
Lear. Hast thou given all to thy two daughters, and art thou
come
to this?
Edg. Who gives anything to poor Tom? whom the foul fiend hath
led
through fire and through flame, through ford and whirlpool,
o'er
bog and quagmire; that hath laid knives under his pillow and
halters in his pew, set ratsbane by his porridge, made him
proud
King Lear |
The third excerpt represents the future or something you must embrace, and is drawn from Z. Marcas by Honore de Balzac: full of meaning on both sides, but they never led to any advances.
Insensibly this man became the object of our secret admiration, though
we knew no reason for it. Did it lie in his secretly simple habits,
his monastic regularity, his hermit-like frugality, his idiotically
mechanical labor, allowing his mind to remain neuter or to work on his
own lines, seeming to us to hint at an expectation of some stroke of
good luck, or at some foregone conclusion as to his life?
After wandering for a long time among the Ruins of Palmyra, we forgot
them--we were young! Then came the Carnival, the Paris Carnival,
which, henceforth, will eclipse the old Carnival of Venice, unless
some ill-advised Prefect of Police is antagonistic.
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