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Today's Stichomancy for Ray Bradbury

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rezanov by Gertrude Atherton:

The valley beyond the southern edge of the bay, where the Missions of Santa Clara and San Jose are, is also rich, but those between the ranges is an empire; and one day when the King sends us more colonists, we shall recompense Spain for all she has lost."

"I congratulate you!" Rezanov, indifferent to his host's ancestral tree, had lifted an alert ear. His quick incisive brain was at work. "I should like to stretch my legs over a horse for a week at a time, and even to climb your highest mountains. You


Rezanov
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from La Grande Breteche by Honore de Balzac:

boards, peeled off the paint. The dreary silence is broken only by birds and cats, polecats, rats, and mice, free to scamper round, and fight, and eat each other. An invisible hand has written over it all: 'Mystery.'

"If, prompted by curiosity, you go to look at this house from the street, you will see a large gate, with a round-arched top; the children have made many holes in it. I learned later that this door had been blocked for ten years. Through these irregular breaches you will see that the side towards the courtyard is in perfect harmony with the side towards the garden. The same ruin prevails. Tufts of weeds outline the paving-stones; the walls are scored by enormous


La Grande Breteche
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Voyage Out by Virginia Woolf:

they both sighed.

"He has a great deal of character," said Mrs. Thornbury, alluding to Arthur.

"And character is what one wants," said Mrs. Elliot. "Now that young man is _clever_ enough," she added, nodding at Hirst, who came past with Miss Allan on his arm.

"He does not look strong," said Mrs. Thornbury. "His complexion is not good.--Shall I tear it off?" she asked, for Rachel had stopped, conscious of a long strip trailing behind her.

"I hope you are enjoying yourselves?" Hewet asked the ladies.

"This is a very familiar position for me!" smiled Mrs. Thornbury.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Silas Marner by George Eliot:

some whom we shall recognize, in spite of Time, who has laid his hand on them all. The tall blond man of forty is not much changed in feature from the Godfrey Cass of six-and-twenty: he is only fuller in flesh, and has only lost the indefinable look of youth-- a loss which is marked even when the eye is undulled and the wrinkles are not yet come. Perhaps the pretty woman, not much younger than he, who is leaning on his arm, is more changed than her husband: the lovely bloom that used to be always on her cheek now comes but fitfully, with the fresh morning air or with some strong surprise; yet to all who love human faces best for what they tell of human experience, Nancy's beauty has a heightened interest. Often


Silas Marner