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Today's Stichomancy for Ray Bradbury

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Sentimental Journey by Laurence Sterne:

standing so many months unpitied in the corner of Mons. Dessein's coach-yard. Much indeed was not to be said for it, - but something might; - and when a few words will rescue misery out of her distress, I hate the man who can be a churl of them.

- Now was I the master of this hotel, said I, laying the point of my fore-finger on Mons. Dessein's breast, I would inevitably make a point of getting rid of this unfortunate DESOBLIGEANT; - it stands swinging reproaches at you every time you pass by it.

MON DIEU! said Mons. Dessein, - I have no interest - Except the interest, said I, which men of a certain turn of mind take, Mons. Dessein, in their own sensations, - I'm persuaded, to a man who

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Underdogs by Mariano Azuela:

and looked him in the face. The stranger lowered his tone considerably.

"Well, I'm a revolutionist, too, you know. The Govern- ment drafted me and I served as a private, but I man- aged to desert during the battle the day before yesterday, and I've been walking about in search of you all."

"So he's a Government soldier, eh?" A murmur of in- credulity rose from the men, interrupting the stranger.

"So that's what you are, eh? One of those damn half- breeds," said Anastasio Montanez. "Why the hell didn't you pump your lead in his brain, Pancracio?"


The Underdogs
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

Shakespear's nice old women are drawn from his beloved mother; but I see no evidence whatever that Shakespear's mother was a particularly nice woman or that he was particularly fond of her. That she was a simple incarnation of extravagant maternal pride like the mother of Coriolanus in Plutarch, as Mr Harris asserts, I cannot believe: she is quite as likely to have borne her son a grudge for becoming "one of these harlotry players" and disgracing the Ardens. Anyhow, as a conjectural model for the Countess of Rousillon, I prefer that one of whom Jonson wrote

Sidney's sister: Pembroke's mother: Death: ere thou has slain another,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Atheist's Mass by Honore de Balzac:

display of his qualities. He was neither a puritan nor a preacher; he could swear with a grace as he gave his advice, and was always ready for a jollification when occasion offered. A jolly companion, not more prudish than a trooper, as frank and outspoken--not as a sailor, for nowadays sailors are wily diplomates--but as an honest man who has nothing in his life to hide, he walked with his head erect, and a mind content. In short, to put the facts into a word, Horace was the Pylades of more than one Orestes--creditors being regarded as the nearest modern equivalent to the Furies of the ancients.

He carried his poverty with the cheerfulness which is perhaps one