| The first excerpt represents the past or something you must release, and is drawn from Through the Looking-Glass by Lewis Carroll: to come and one to go?'
`Didn't I tell you?' the King repeated impatiently. `I must
have Two--to fetch and carry. One to fetch, and one to carry.'
At this moment the Messenger arrived: he was far too much out
of breath to say a word, and could only wave his hands about, and
make the most fearful faces at the poor King.
`This young lady loves you with an H,' the King said,
introducing Alice in the hope of turning off the Messenger's
attention from himself--but it was no use--the Anglo-Saxon
attitudes only got more extraordinary every moment, while the
great eyes rolled wildly from side to side.
 Through the Looking-Glass |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Somebody's Little Girl by Martha Young: pink dress, and I will wear that to your party.''
Mama? My Mama?
Bessie Bell leaned against the little fluted post of the gallery to
the cabin where she and Sister Helen Vincula lived, and thought a
great deal about that.
And Bessie Bell wondered a great deal what that could mean: Mama?
My Mama?
There were strange new things in this world.
Bessie Bell almost forgot to remember now, because every day was so
full of such strange new things to know.
Mama? My Mama?
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The third excerpt represents the future or something you must embrace, and is drawn from The Psychology of Revolution by Gustave le Bon: its influence, peoples and armies become barbarian hordes.
This truth is daily and increasingly forgotten. Ignoring the
fundamental laws of collective logic, we give way more and more
to shifting popular impulses, instead of learning to direct them.
The multitude must be shown the road to follow; it is not for
them to choose it.
CHAPTER VII
PSYCHOLOGY OF THE LEADERS OF THE REVOLUTION
1. Mentality of the Men of the Revolution. The respective
Influence of Violent and Feeble Characters.
Men judge with their intelligence, and are guided by their
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