| The first excerpt represents the past or something you must release, and is drawn from The Autobiography of Benjamin Franklin by Benjamin Franklin: and Virginia to collect waggons. I stayed with him several days,
din'd with him daily, and had full opportunity of removing
all his prejudices, by the information of what the Assembly had
before his arrival actually done, and were still willing to do,
to facilitate his operations. When I was about to depart, the returns
of waggons to be obtained were brought in, by which it appear'd
that they amounted only to twenty-five, and not all of those were
in serviceable condition. The general and all the officers were
surpris'd, declar'd the expedition was then at an end, being impossible,
and exclaim'd against the ministers for ignorantly landing them in a
country destitute of the means of conveying their stores, baggage,
 The Autobiography of Benjamin Franklin |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Two Brothers by Honore de Balzac: making your acquaintance and you have enriched my studio--"
"Yes," said Flore, "instead of enlightening your uncle on the value of
his pictures, which is now estimated at over one hundred thousand
francs, you have packed them off in a hurry to Paris. Poor dear man!
he is no better than a baby! We have just been told of a little
treasure at Bourges,--what did they call it? a Poussin,--which was in
the choir of the cathedral before the Revolution and is now worth, all
by itself, thirty thousand francs."
"That was not right of you, my nephew," said Jean-Jacques, at a sign
from Max, which Joseph could not see.
"Come now, frankly," said the soldier, laughing, "on your honor, what
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The third excerpt represents the future or something you must embrace, and is drawn from The Mansion by Henry van Dyke: but of wealth prudently applied. Standing on a corner of
the Avenue no longer fashionable for residence, it looked upon
the swelling tide of business with an expression of complacency
and half-disdain.
The house was not beautiful. There was nothing in its straight
front of
chocolate-colored stone, its heavy cornices, its broad, staring
windows of
plate glass, its carved and bronze-bedecked mahogany doors at the
top of the wide stoop, to charm the eye or fascinate the
imagination.
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