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Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the past or something you must release, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

Then he unfolded a piece of baize: this also he spread flat on the paper. The third covering was a wrapper of tissue paper, which was spread out in its turn. The enclosure was revealed, and he held it up for the smith's inspection.

'Oh--I see!' said the smith, kindling with a chastened interest, and drawing close. 'Poor young lady--ah, terrible melancholy thing--so soon too!'

Knight and Stephen turned their heads and looked.

'And what's that?' continued the smith.

'That's the coronet--beautifully finished, isn't it? Ah, that cost some money!'


A Pair of Blue Eyes
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Time Machine by H. G. Wells:

`That is the germ of my great discovery. But you are wrong to say that we cannot move about in Time. For instance, if I am recalling an incident very vividly I go back to the instant of its occurrence: I become absent-minded, as you say. I jump back for a moment. Of course we have no means of staying back for any length of Time, any more than a savage or an animal has of staying six feet above the ground. But a civilized man is better off than the savage in this respect. He can go up against gravitation in a balloon, and why should he not hope that ultimately he may be able to stop or accelerate his drift along the Time-Dimension, or even turn about and travel the other way?'


The Time Machine
The third excerpt represents the future or something you must embrace, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

'Oh, you're quite right!' he said, turning his head away, and looking sideways, downwards, with that strange immobility of an old race that is hardly here in our present day. It was that that really made Connie lose her power to see him detached from herself.

He looked up at her with the full glance that saw everything, registered everything. At the same time, the infant crying in the night was crying out of his breast to her, in a way that affected her very womb.

'It's awfully nice of you to think of me,' he said laconically.

'Why shouldn't I think of you?' she exclaimed, with hardly breath to utter it.


Lady Chatterley's Lover