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Today's Stichomancy for Rene Magritte

The first excerpt represents the past or something you must release, and is drawn from The Spirit of the Border by Zane Grey:

round him. "You've brought this old fellow; did you bring the horses?"

"Look behind the wagon."

With the dog bounding before him, Joe did as he was directed, and there found two horses tethered side by side. Little wonder that his eyes gleamed with delight. One was jet-black; the other iron-gray and in every line the clean-limbed animals showed the thoroughbred. The black threw up his slim head and whinnied, with affection clearly shining in his soft, dark eyes as he recognized his master.

"Lance, old fellow, how did I ever leave you!" murmured Joe, as he threw his arm over the arched neck. Mose stood by looking up, and wagging his tail in token of happiness at the reunion of the three old friends. There were tears


The Spirit of the Border
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Red Inn by Honore de Balzac:

confessional."

The Code incarnate ceased speaking, sat down, and drank a glass of champagne. The man charged with the duty of explaining the gospel, the good priest, rose.

"God has made us all frail beings," he said firmly. "If you love the heiress of that crime, marry her; but content yourself with the property she derives from her mother; give that of the father to the poor."

"But," cried one of those pitiless hair-splitters who are often to be met with in the world, "perhaps the father could make a rich marriage only because he was rich himself; consequently, the marriage was the

The third excerpt represents the future or something you must embrace, and is drawn from Parmenides by Plato:

whether at Megara or elsewhere, with the Eleatic and Megarian philosophers. Still, Parmenides does not deny to Socrates the credit of having gone beyond them in seeking to apply the paradoxes of Zeno to ideas; and this is the application which he himself makes of them in the latter part of the dialogue. He then proceeds to explain to him the sort of mental gymnastic which he should practise. He should consider not only what would follow from a given hypothesis, but what would follow from the denial of it, to that which is the subject of the hypothesis, and to all other things. There is no trace in the Memorabilia of Xenophon of any such method being attributed to Socrates; nor is the dialectic here spoken of that 'favourite method' of proceeding by regular divisions, which is described in the