| The first excerpt represents the past or something you must release, and is drawn from Puck of Pook's Hill by Rudyard Kipling: on the Western Road - the Demeter of the Baskets, you
know. And funny! Roma Dea! How Mother could make
us laugh!'
'What at?'
'Little jokes and sayings that every family has. Don't
you know?'
'I know we have, but I didn't know other people had
them too,' said Una. 'Tell me about all your family, please.'
'Good families are very much alike. Mother would sit
spinning of evenings while Aglaia read in her corner, and
Father did accounts, and we four romped about the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Padre Ignacio by Owen Wister: of candles, fresh-cut flowers leaned from vessels of old Mexican and
Spanish make.
There at one end of this feast sat the wild, pastoral, gaudy company,
speaking little over their food; and there at the other the pale Padre,
questioning his visitor about Rachel. The mere name of a street would
bring memories crowding to his lips; and when his guest told him of a new
play he was ready with old quotations from the same author. Alfred de
Vigny they spoke of, and Victor Hugo, whom the Padre disliked. Long after
the dulce, or sweet dish, when it was the custom for the vaqueros and the
rest of the retainers to rise and leave the gente fina to themselves, the
host sat on in the empty hail, fondly talking to his guest of his bygone
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The third excerpt represents the future or something you must embrace, and is drawn from Georgics by Virgil: From the first birth-dawn of Tithonus old.
If eager for the prized Olympian palm
One breed the horse, or bullock strong to plough,
Be his prime care a shapely dam to choose.
Of kine grim-faced is goodliest, with coarse head
And burly neck, whose hanging dewlaps reach
From chin to knee; of boundless length her flank;
Large every way she is, large-footed even,
With incurved horns and shaggy ears beneath.
Nor let mislike me one with spots of white
Conspicuous, or that spurns the yoke, whose horn
 Georgics |