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Today's Stichomancy for Rene Magritte

The first excerpt represents the past or something you must release, and is drawn from Peter Pan by James M. Barrie:

"Then are you not really our mother, Wendy?" asked Michael, who was surely sleepy.

"Oh dear!" exclaimed Wendy, with her first real twinge of remorse [for having gone], "it was quite time we came back,"

"Let us creep in," John suggested, "and put our hands over her eyes."

But Wendy, who saw that they must break the joyous news more gently, had a better plan.

"Let us all slip into our beds, and be there when she comes in, just as if we had never been away."

And so when Mrs. Darling went back to the night-nursery to see


Peter Pan
The second excerpt represents the present or the deciding factor of the moment, and is drawn from In Darkest England and The Way Out by General William Booth:

Have you inquired? I will assume that you have read the book, and duly considered it. Surely you would not dismiss so important a theme without some thought. And though my arguments may not have sufficient weight to carry conviction, you must admit them to be of sufficient importance to warrant investigation. Will you therefore come and see for yourself what has been done already, or, rather, what we are doing to-day. Failing this, will you send someone capable of judging on your behalf. I do not care very much whom you send. It is true the things of the Spirit are spiritually discerned, but the things of humanity any man can judge, whether saint or sinner, if he only possess average intelligence and ordinary bowels of compassion.


In Darkest England and The Way Out
The third excerpt represents the future or something you must embrace, and is drawn from Bureaucracy by Honore de Balzac:

superb Boulle secretary, the value of which style had not yet been recognized; in short, a chaos of bargains picked up by the worthy widow,--pictures bought for the sake of the frames, china services of a composite order; to wit, a magnificent Japanese dessert set, and all the rest porcelains of various makes, unmatched silver plate, old glass, fine damask, and a four-post bedstead, hung with curtains and garnished with plumes.

Amid these curious relics, Madame Saillard always sat on a sofa of modern mahogany, near a fireplace full of ashes and without fire, on the mantel-shelf of which stood a clock, some antique bronzes, candelabra with paper flowers but no candles, for the careful