| The first excerpt represents the past or something you must release, and is drawn from The Red Badge of Courage by Stephen Crane: tattered man took all elation from the youth's
veins. He saw his vivid error, and he was afraid
that it would stand before him all his life. He
took no share in the chatter of his comrades, nor
did he look at them or know them, save when he
felt sudden suspicion that they were seeing his
thoughts and scrutinizing each detail of the scene
with the tattered soldier.
Yet gradually he mustered force to put the sin
at a distance. And at last his eyes seemed to
open to some new ways. He found that he could
 The Red Badge of Courage |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Call of Cthulhu by H. P. Lovecraft: excited by the tale of the sculptor I did not wonder, for what
thoughts must arise upon hearing, after a knowledge of what Legrasse
had learned of the cult, of a sensitive young man who had dreamed
not only the figure and exact hieroglyphics of the swamp-found
image and the Greenland devil tablet, but had come in his dreams
upon at least three of the precise words of the formula uttered
alike by Esquimaux diabolists and mongrel Louisianans?. Professor
Angell's instant start on an investigation of the utmost thoroughness
was eminently natural; though privately I suspected young Wilcox
of having heard of the cult in some indirect way, and of having
invented a series of dreams to heighten and continue the mystery
 Call of Cthulhu |
The third excerpt represents the future or something you must embrace, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov: lashed me on my cap, I did not protest or utter a sound, but
only, rousing myself from half-slumber, gazed mildly and
dejectedly into the distance to see whether there was a village
visible through the dust. We stopped to feed the horses in a big
Armenian village at a rich Armenian's whom my grandfather knew.
Never in my life have I seen a greater caricature than that
Armenian. Imagine a little shaven head with thick overhanging
eyebrows, a beak of a nose, long gray mustaches, and a wide
mouth with a long cherry-wood chibouk sticking out of it. This
little head was clumsily attached to a lean hunch-back carcass
attired in a fantastic garb, a short red jacket, and full bright
 The Schoolmistress and Other Stories |