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Today's Stichomancy for Rene Magritte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Aesop's Fables by Aesop:

Belling the Cat

Long ago, the mice had a general council to consider what measures they could take to outwit their common enemy, the Cat. Some said this, and some said that; but at last a young mouse got up and said he had a proposal to make, which he thought would meet the case. "You will all agree," said he, "that our chief danger consists in the sly and treacherous manner in which the enemy approaches us. Now, if we could receive some signal of her approach, we could easily escape from her. I venture, therefore, to propose that a small bell be procured, and attached by a ribbon round the neck of the Cat. By this means we should always know


Aesop's Fables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierrette by Honore de Balzac:

evenly, came out in patches on her cheekbones, in burning and significant spots. A mother, seeing that symptom of illness, would have changed her tone at once; she would have taken the child on her lap and questioned her; in fact, she would long ago have tenderly understood the signs of Pierrette's pure and perfect innocence; she would have seen her weakness and known that the disturbance of the digestive organs and the other functions of the body was about to affect the lungs. Those eloquent patches would have warned her of an imminent danger. But an old maid, one in whom the family instincts have never been awakened, to whom the needs of childhood and the precautions required for adolescence were unknown, had neither the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato:

as the sophist professes to have all wisdom, which is contained in his art of rhetoric. Even more than the sophist he is incapable of appreciating the commonest logical distinctions; he cannot explain the nature of his own art; his great memory contrasts with his inability to follow the steps of the argument. And in his highest moments of inspiration he has an eye to his own gains.

The old quarrel between philosophy and poetry, which in the Republic leads to their final separation, is already working in the mind of Plato, and is embodied by him in the contrast between Socrates and Ion. Yet here, as in the Republic, Socrates shows a sympathy with the poetic nature. Also, the manner in which Ion is affected by his own recitations affords a lively

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Arrow of Gold by Joseph Conrad:

lightly Dominic's curly head silvered on the temples (she couldn't really help it), gazed at me for a while with a quizzical smile, observed that I looked very tired, and asked Dominic whether for all that I was likely to sleep soundly to-night.

"I don't know," said Dominic, "He's young. And there is always the chance of dreams."

"What do you men dream of in those little barques of yours tossing for months on the water?"

"Mostly of nothing," said Dominic. "But it has happened to me to dream of furious fights."

"And of furious loves, too, no doubt," she caught him up in a


The Arrow of Gold