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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Damnation of Theron Ware by Harold Frederic:

by elders who remembered Francis Asbury and even Whitefield. They sat now in front places, leaning forward with trembling and misshapen hands behind their hairy ears, waiting to hear their names read out on the superannuated list, it might be for the last time.

The sight of these venerable Fathers in Israel was good to the eyes, conjuring up, as it did, pictures of a time when a plain and homely people had been served by a fervent and devoted clergy--by preachers who lacked in learning and polish, no doubt, but who gave their lives without dream of earthly reward to poverty and to the danger and wearing toil


The Damnation of Theron Ware
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

jerking open the bow knot she had so painfully executed, looked out the window for Johnson - until I recalled that he no longer belonged in my perspective. I ended by driving frantically to the club and getting George to do it.

I was late, of course. The drawing-room and library at the Dallas home were empty. I could hear billiard balls rolling somewhere, and I turned the other way. I found Alison at last on the balcony, sitting much as she had that night on the beach, - her chin in her hands, her eyes fixed unseeingly on the trees and lights of the square across. She was even whistling a little, softly. But this time the plaintiveness was gone. It was a tender little tune. She


The Man in Lower Ten
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Village Rector by Honore de Balzac:

politics. It is a cruel error, and it rests on the following principle, which organizers have misconceived:--

/Nothing, either in experience or in the nature of things, can give a certainty that the intellectual qualities of the adult youth will be those of the mature man./

At this moment I am intimate with a number of distinguished men who concern themselves with all the moral maladies which are now afflicting France. They see, as I do, that our highest education is manufacturing temporary capacities,--temporary because they are without exercise and without future; that such education is without profit to the State because it is devoid of the vigor of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

Olympian shapes on marble FACADES long ago, or the outline of Alexander, Caesar, and the Pharaohs.

They were the less restful cows that were stalled. Those that would stand still of their own will were milked in the middle of the yard, where many of such better behaved ones stood waiting now--all prime milchers, such as were seldom seen out of this valley, and not always within it; nourished by the succulent feed which the water-meads supplied at this prime season of the year. Those of them that were spotted with white reflected the sunshine in dazzling


Tess of the d'Urbervilles, A Pure Woman