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Today's Stichomancy for Richard Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Iron Puddler by James J. Davis:

brain power. That's what I lack and that's what I want above all other things. I try to study at night and educate myself. But I haven't got any chance against you fellows who are born intellectual and have college training on top of it. So if I have talked sharp to you, my cussedness is really due to envy. I really want to be in your shoes, and I haven't got the brains for the job."

This worked.

"There is nothing about me for a fellow like you to envy," he said condescendingly. "I'm no better off than you are. In fact, I envy you fellows. You are never sick; you can eat and digest

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems of William Blake by William Blake:

Why fade these children of the spring? born but to smile & fall. Ah! Thel is like a watry bow, and like a parting cloud, Like a reflection in a glass: like shadows in the water Like dreams of infants, like a smile upon an infants face. Like the doves voice, like transient day, like music in the air: Ah! gentle may I lay me down and gentle rest my head. And gentle sleep the sleep of death, and gently hear the voice Of him that walketh in the garden in the evening time.

The Lilly of the valley breathing in the humble grass Answerd the lovely maid and said: I am a watry weed, And I am very small and love to dwell in lowly vales:


Poems of William Blake
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

destroying themselves by work; antinomians and rebels in manners, ambitious and insatiable, without equilibrium and enjoyment; all of them finally shattering and sinking down at the Christian cross (and with right and reason, for who of them would have been sufficiently profound and sufficiently original for an ANTI- CHRISTIAN philosophy?);--on the whole, a boldly daring, splendidly overbearing, high-flying, and aloft-up-dragging class of higher men, who had first to teach their century-and it is the century of the MASSES--the conception "higher man." ... Let the German friends of Richard Wagner advise together as to whether there is anything purely German in the Wagnerian art, or whether


Beyond Good and Evil
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

ascribe such results only to the design of some personal will and mind,) what surpasses that by which the scales on a butterfly's wing are arranged to produce a certain pattern of artistic beauty beyond all painter's skill? What a waste of power, on any utilitarian theory of nature! And once more, why are those strange microscopic atomies, the Diatomaceae and Infusoria, which fill every stagnant pool; which fringe every branch of sea-weed; which form banks hundreds of miles long on the Arctic sea-floor, and the strata of whole moorlands; which pervade in millions the mass of every iceberg, and float aloft in countless swarms amid the clouds of the volcanic dust; - why are their tiny shells of flint as