The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maitre Cornelius by Honore de Balzac: their spoons in regular rotation into the mess-pot. This performance
was done in silence. But as he ate, Cornelius examined the false
apprentice with as much care and scrutiny as if he were weighing an
old coin.
Philippe, feeling that an icy mantle had descended on his shoulders,
was tempted to look about him; but, with the circumspection dictated
by all amorous enterprises, he was careful not to glance, even
furtively, at the walls; for he fully understood that if Cornelius
detected him, he would not allow so inquisitive a person to remain in
his house. He contented himself, therefore, by looking first at the
egg and then at the old woman, occasionally contemplating his future
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Straight Deal by Owen Wister: energy of twenty-five thousand horse-power and a weekly output of over
ten thousand tons' weight of projectiles--all this largely worked by the
women of England. While the fleet had increased its personnel from
136,000 to about 400,000, and 2,000,000 men by July, 1915, had
voluntarily enlisted in the army before England gave up her birthright
and accepted compulsory service, the women of England left their ordinary
lives to fabricate the necessaries of war. They worked at home while
their husbands, brothers, and sons fought and died on six battle fronts
abroad--six hundred and fifty-eight thousand died, remember; do you
remember the number of Americans killed in action?--less than thirty-six
thousand;--those English women worked on, seven millions of them at
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Master and Man by Leo Tolstoy: could not see either horse or sledge, but as he walked against
the wind he heard Vasili Andreevich's shouts and Mukhorty's
neighing, calling him.
'I'm coming! I'm coming! What are you cackling for?' he
muttered.
Only when he had come up to the sledge could he make out the
horse, and Vasili Andreevich standing beside it and looking
gigantic.
'Where the devil did you vanish to? We must go back, if only
to Grishkino,' he began reproaching Nikita.
'I'd be glad to get back, Vasili Andreevich, but which way are
 Master and Man |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Silas Marner by George Eliot: "I remember now--the knife wasn't in my pocket."
William said, "I know nothing of what you mean." The other
persons present, however, began to inquire where Silas meant to say
that the knife was, but he would give no further explanation: he
only said, "I am sore stricken; I can say nothing. God will clear
me."
On their return to the vestry there was further deliberation. Any
resort to legal measures for ascertaining the culprit was contrary
to the principles of the church in Lantern Yard, according to which
prosecution was forbidden to Christians, even had the case held less
scandal to the community. But the members were bound to take other
 Silas Marner |