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Today's Stichomancy for Richard Wilhelm

The first excerpt represents the past or something you must release, and is drawn from Maitre Cornelius by Honore de Balzac:

obstacles. He was constantly absorbed in one overwhelming thought, consumed with a single desire that burned his entrails, gnawed more cruelly still by the ever-increasing agony of the duel he was fighting with himself since his passion for gold had turned to his own injury, --a species of uncompleted suicide which kept him at once in the miseries of life and in those of death.

Never was a Vice more punished by itself. A miser, locked by accident into the subterranean strong-room that contains his treasures, has, like Sardanapalus, the happiness of dying in the midst of his wealth. But Cornelius, the robber and the robbed, knowing the secret of neither the one nor the other, possessed and did not possess his

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Elixir of Life by Honore de Balzac:

decrepitude came upon him, and with those days the constant importunity of physical feebleness, an importunity all the more distressing by contrast with the wealth of memories of his impetuous youth and the sensual pleasures of middle age. The unbeliever who in the height of his cynical humor had been wont to persuade others to believe in laws and principles at which he scoffed, must repose nightly upon a PERHAPS. The great Duke, the pattern of good breeding, the champion of many a carouse, the proud ornament of Courts, the man of genius, the graceful winner of hearts that he had wrung as carelessly as a peasant twists an osier withe, was now the victim of a cough, of a ruthless

The third excerpt represents the future or something you must embrace, and is drawn from The Time Machine by H. G. Wells:

returned, and almost immediately came another by my ear. I struck at this, and caught something threadlike. It was drawn swiftly out of my hand. With a frightful qualm, I turned, and I saw that I had grasped the antenna of another monster crab that stood just behind me. Its evil eyes were wriggling on their stalks, its mouth was all alive with appetite, and its vast ungainly claws, smeared with an algal slime, were descending upon me. In a moment my hand was on the lever, and I had placed a month between myself and these monsters. But I was still on the same beach, and I saw them distinctly now as soon as I stopped. Dozens of them seemed to be crawling here and there, in the


The Time Machine