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Today's Stichomancy for Richard Wilhelm

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Snow Image by Nathaniel Hawthorne:

not yet finished, and grandfather was expected, by railroad, pretty early in the morning. Faster and faster, therefore, went her flying fingers. The children, likewise, kept busily at work in the garden, and still the mother listened, whenever she could catch a word. She was amused to observe how their little imaginations had got mixed up with what they were doing, and carried away by it. They seemed positively to think that the snow-child would run about and play with them.

"What a nice playmate she will be for us, all winter long!" said Violet. "I hope papa will not be afraid of her giving us a cold! Sha'n't you love her dearly, Peony?"


The Snow Image
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Black Tulip by Alexandre Dumas:

and to force you to confess your crimes."

"Are you mad, my dear Master Gryphus?" asked Cornelius.

And, as he now for the first time observed the frenzied features, the flashing eyes, and foaming mouth of the old jailer, he said, --

"Bless the man, he is more than mad, he is furious."

Gryphus flourished his stick above his head, but Van Baerle moved not, and remained standing with his arms akimbo.

"It seems your intention to threaten me, Master Gryphus."

"Yes, indeed, I threaten you," cried the jailer.

"And with what?"


The Black Tulip
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

departed in haste. At the doorway they halted and the officer turned sternly upon the warrior. With upraised finger he pointed at Ghek.

"There sits the creature! Didst thou dare lie, then, to thy dwar?"

"I swear," cried the warrior, "that I spoke the truth. But a moment since the thing groveled, headless, upon this very table! And may my first ancestor strike me dead upon the spot if I speak other than a true word!"

The officer looked puzzled. The men of Mars seldom if ever lie. He scratched his head. Then he addressed Ghek. "How long have you


The Chessmen of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

detected him, he would not allow so inquisitive a person to remain in his house. He contented himself, therefore, by looking first at the egg and then at the old woman, occasionally contemplating his future master.

Louis XI.'s silversmith resembled that monarch. He had even acquired the same gestures, as often happens where persons dwell together in a sort of intimacy. The thick eyebrows of the Fleming almost covered his eyes; but by raising them a little he could flash out a lucid, penetrating, powerful glance, the glance of men habituated to silence, and to whom the phenomenon of the concentration of inward forces has become familiar. His thin lips, vertically wrinkled, gave him an air