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Today's Stichomancy for Richard Wilhelm

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The First Men In The Moon by H. G. Wells:

of huge shapes, huge pallid hulls, upon which the Selenites were busy. At first they seemed big white cylinders of vague import. Then I noted the heads upon them lying towards us, eyeless and skinless like the heads of sheep at a butcher's, and perceived they were the carcasses of mooncalves being cut up, much as the crew of a whaler might cut up a moored whale. They were cutting off the flesh in strips, and on some of the farther trunks the white ribs were showing. It was the sound of their hatchets that made that chid, chid. Some way away a thing like a trolley cable, drawn and loaded with chunks of lax meat, was running up the slope of the cavern floor. This enormous long avenue of hulls that were destined to be food, gave us a sense of the vast populousness of the moon world second


The First Men In The Moon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gobseck by Honore de Balzac:

" 'I pretended not to understand.

" ' "You go out early, mademoiselle, it seems."

" ' "I very seldom leave my room; but when you work all night, you are obliged to take a bath sometimes."

" 'I looked at her. A glance told me all about her life. Here was a girl condemned by misfortune to toil, a girl who came of honest farmer folk, for she had still a freckle or two that told of country birth. There was an indefinable atmosphere of goodness about her; I felt as if I were breathing sincerity and frank innocence. It was refreshing to my lungs. Poor innocent child, she had faith in something; there was a crucifix and a sprig or two of green box above her poor little


Gobseck
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Call of Cthulhu by H. P. Lovecraft:

Here the first part of the manuscript ended, but references to certain of the scattered notes gave me much material for thought - so much, in fact, that only the ingrained skepticism then forming my philosophy can account for my continued distrust of the artist. The notes in question were those descriptive of the dreams of various persons covering the same period as that in which young Wilcox had had his strange visitations. My uncle, it seems, had quickly instituted a prodigiously far-flung body of inquires amongst nearly all the friends whom he could question without impertinence, asking for nightly reports of their dreams, and the dates of any notable visions for some time past. The reception of his request


Call of Cthulhu
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

still possess the jewels of which Achmet Zek told me, there is no reason why you and I should not ride north together and divide the ransom of the white woman and the contents of the pouch you wear about your person. Eh?"

The evil eyes narrowed, a vicious, thin-lipped smile tortured the villainous face, as Mohammed Beyd grinned knowingly into the face of the Belgian.

Werper was both relieved and disturbed by the Arab's attitude. The complacency with which he accepted the death of his chief lifted a considerable burden of apprehension from the shoulders of Achmet Zek's


Tarzan and the Jewels of Opar