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Today's Stichomancy for Richard Wilhelm

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Peter Pan by James M. Barrie:

"Tink can't go a twentieth part of the way round," she reminded him a little tartly.

"Sneaky tell-tale!" Tink called out from somewhere round the corner.

"It doesn't matter," Peter said.

"O Peter, you know it matters."

"Well, then, come with me to the little house."

"May I, mummy?"

"Certainly not. I have got you home again, and I mean to keep you."

"But he does so need a mother."


Peter Pan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

"Alack," he sighed, "what HAVE I done?"

But saddest, darkest was the sight, When the cold grasp of leaden Night Dashed him to earth, and held him tight.

Tortured, unaided, and alone, Thunders were silence to his groan, Bagpipes sweet music to its tone:

"What? Ever thus, in dismal round, Shall Pain and Mystery profound Pursue me like a sleepless hound,

"With crimson-dashed and eager jaws,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Euthydemus by Plato:

opening his mouth and biting. When the monster was growing troublesome he called Iolaus, his nephew, to his help, who ably succoured him; but if my Iolaus, who is my brother Patrocles (the statuary), were to come, he would only make a bad business worse.

And now that you have delivered yourself of this strain, said Dionysodorus, will you inform me whether Iolaus was the nephew of Heracles any more than he is yours?

I suppose that I had best answer you, Dionysodorus, I said, for you will insist on asking--that I pretty well know--out of envy, in order to prevent me from learning the wisdom of Euthydemus.

Then answer me, he said.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aesop's Fables by Aesop:

appointed when the Fox should visit the Stork; but when they were seated at table all that was for their dinner was contained in a very long-necked jar with a narrow mouth, in which the Fox could not insert his snout, so all he could manage to do was to lick the outside of the jar.

"I will not apologise for the dinner," said the Stork:

"One bad turn deserves another."

The Fox and the Mask

A Fox had by some means got into the store-room of a theatre. Suddenly he observed a face glaring down on him and began to be very frightened; but looking more closely he found it was only a


Aesop's Fables