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Today's Stichomancy for Robert A. Heinlein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

abandoning himself to the most enticing pleasures that ever peri descended from the skies had devised for her beloved.

Paquita seemed to have been created for love by a particular effort of nature. In a night her feminine genius had made the most rapid progress. Whatever might be the power of this young man, and his indifference in the matter of pleasures, in spite of his satiety of the previous night, he found in the girl with the golden eyes that seraglio which a loving woman knows how to create and which a man never refuses. Paquita responded to that passion which is felt by all really great men for the infinite--that mysterious passion so dramatically expressed in Faust, so poetically translated in Manfred,


The Girl with the Golden Eyes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cousin Betty by Honore de Balzac:

"Thanks to me!" exclaimed Crevel, whose face was purple.

"Thanks to Celestine's fortune," replied Victorin. "And if you regret having given to your daughter as a present from yourself, a sum which is not half what her mother left her, I can only say that we are prepared to give it back."

"And do you not know, my respected son-in-law," said Crevel, striking an attitude, "that under the shelter of my name Madame Marneffe is not called upon to answer for her conduct excepting as my wife--as Madame Crevel?"

"That is, no doubt, quite the correct thing," said the lawyer; "very generous so far as the affections are concerned and the vagaries of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey:

When Calico drew alongside the bay horse and brought Carley breast to breast with Glenn, and then inch by inch forged ahead of him, Carley pealed out an exultant cry. Either it frightened Calico or inspired him, for he shot right ahead of Glenn's horse. Then he lost the smooth, wonderful action. He seemed hurtling through space at the expense of tremendous muscular action. Carley could feel it. She lost her equilibrium. She seemed rushing through a blurred green and black aisle of the forest with a gale in her face. Then, with a sharp jolt, a break, Calico plunged to the sand. Carley felt herself propelled forward out of the saddle into the air, and down to strike with a sliding, stunning force that ended in sudden dark oblivion.


The Call of the Canyon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Frankenstein by Mary Shelley:

"We do also, unfortunately," replied my father, "for indeed I had rather have been for ever ignorant than have discovered so much depravity and ungratitude in one I valued so highly."

"My dear father, you are mistaken; Justine is innocent."

"If she is, God forbid that she should suffer as guilty. She is to be tried today, and I hope, I sincerely hope, that she will be acquitted."

This speech calmed me. I was firmly convinced in my own mind that Justine, and indeed every human being, was guiltless of this murder. I had no fear, therefore, that any circumstantial evidence could be brought forward strong enough to convict her. My tale was not one to announce publicly; its astounding horror would be looked upon as


Frankenstein