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Today's Stichomancy for Robert A. Heinlein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Figure in the Carpet by Henry James:

reason for accepting it. He was prepared to out-Herod the metropolitan press; he took solemn precautions against priggishness, he exquisitely outraged taste. Nobody ever knew it - that offended principle was all his own. In addition to his expenses he was to be conveniently paid, and I found myself able to help him, for the usual fat book, to a plausible arrangement with the usual fat publisher. I naturally inferred that his obvious desire to make a little money was not unconnected with the prospect of a union with Gwendolen Erme. I was aware that her mother's opposition was largely addressed to his want of means and of lucrative abilities, but it so happened that, on my saying the last

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Facino Cane by Honore de Balzac:

to regain my freedom gave me something like genius. Groping about with my fingers, I spelled out an Arabic inscription on the wall. The author of the work informed those to come after him that he had loosed two stones in the lowest course of masonry and hollowed out eleven feet beyond underground. As he went on with his excavations, it became necessary to spread the fragments of stone and mortar over the floor of his cell. But even if jailers and inquisitors had not felt sure that the structure of the building was such that no watch was needed below, the level of the Pozzi dungeons being several steps below the threshold, it was possible gradually to raise the earthen floor without exciting the warder's suspicions.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

"Strike him down, Ghek!" commanded the king. "Strike down the stranger and your life shall be yours."

Gahan glanced at the hideous face of the king.

"Seek not his eyes," screamed Tara in warning; but it was too late. Already the horrid hypnotic gaze of the king kaldane had seized upon the eyes of Gahan. The red warrior hesitated in his stride. His sword point drooped slowly toward the floor. Tara glanced toward Ghek. She saw the creature glaring with his expressionless eyes upon the broad back of the stranger. She saw the hand of the creature's rykor creeping stealthily toward the hilt of its dagger.


The Chessmen of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ursula by Honore de Balzac:

springing up, then to the hill-slopes covered with copses which extend, on the left, from Nemours to Bouron. He could hear in the valley of the Loing, where the sounds on the road were echoed back from the hills, the trot of his own horses and the crack of his postilion's whip.

None but a post master could feel impatient within sight of such meadows, filled with cattle worthy of Paul Potter and glowing beneath a Raffaelle sky, and beside a canal shaded with trees after Hobbema. Whoever knows Nemours knows that nature is there as beautiful as art, whose mission is to spiritualize it; there, the landscape has ideas and creates thought. But, on catching sight of Minoret-Levrault an