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Today's Stichomancy for Robert A. Heinlein

The first excerpt represents the past or something you must release, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

apostles. There is not a single one among them who knows the difference between law and grace.

We can tell the difference. We do not here and now argue whether we ought to do good works, or whether the Law is any good, or whether the Law ought to be kept at all. We will discuss these questions some other time. We are now concerned with justification. Our opponents refuse to make this distinction. All they can do is to bellow that good works ought to be done. We know that. We know that good works ought to be done, but we will talk about that when the proper time comes. Now we are dealing with justification, and here good works should not be so much as mentioned.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

of the hermit's door, and the death-cry of the dragon, and the clangour of the shield!--say, rather, the rending of her coffin, and the grating of the iron hinges of her prison, and her struggles within the coppered archway of the vault! Oh whither shall I fly? Will she not be here anon? Is she not hurrying to upbraid me for my haste? Have I not heard her footsteps on the stair? Do I not distinguish that heavy and horrible beating of her heart? Madman!" here he sprang furiously to his feet, and shrieked out his syllables, as if in the effort he were giving up his soul--"Madman! I tell you that she now stands without the door!"


The Fall of the House of Usher
The third excerpt represents the future or something you must embrace, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

smile, which reminded Monte Cristo of the sickly moons which bad artists are so fond of daubing into their pictures of ruins. "But, while we are speaking of business," Danglars added, pleased to find an opportunity of changing the subject, "tell me what I am to do for M. Cavalcanti."

"Give him money, if he is recommended to you, and the recommendation seems good."

"Excellent; he presented himself this morning with a bond of 40,000 francs, payable at sight, on you, signed by Busoni, and returned by you to me, with your indorsement -- of course, I immediately counted him over the forty


The Count of Monte Cristo