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Today's Stichomancy for Robert A. Heinlein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pericles by William Shakespeare:

Those palates who, not yet two sumMers younger, Must have inventions to delight the taste, Would now be glad of bread, and beg for it: Those mothers who, to nousle up their babes, Thought nought too curious, are ready now To eat those little darlings whom they loved. So sharp are hunger's teeth, that man and wife Draw lots who first shall die to lengthen life: Here stands a lord, and there a lady weeping; Here many sink, yet those which see them fall Have scarce strength left to give them burial.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

He was trying to tell the stupid white man to plunge his poisoned arrows into Sabor's back and sides, and to reach the savage heart with the long, thin hunting knife that hung at Tarzan's hip; but the man would not understand, and Tarzan did not dare release his hold to do the things himself, for he knew that the puny white man never could hold mighty Sabor alone, for an instant.

Slowly the lioness was emerging from the window. At last her shoulders were out.

And then Clayton saw an incredible thing. Tarzan, racking his brains for some means to cope single-handed with the


Tarzan of the Apes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from From the Earth to the Moon by Jules Verne:

breathe, but it prevents us from roasting."

"Yes!" said Nicholl, "unfortunately, it will not be the same in the moon."

"Bah!" said Michel, always hopeful. "If there are inhabitants, they must breathe. If there are no longer any, they must have left enough oxygen for three people, if only at the bottom of ravines, where its own weight will cause it to accumulate, and we will not climb the mountains; that is all." And Michel, rising, went to look at the lunar disc, which shone with intolerable brilliancy.

"By Jove!" said he, "it must be hot up there!"


From the Earth to the Moon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Resurrection by Leo Tolstoy:

the same dull expression as that of the man with the raised brows and pouting lips whom he had seen at the window of the eating-house.

"How cold it is! Is it not? Have you got the parcels?" said Schonbock, turning to the isvostchik.

"All right. Good-bye. I am very glad indeed to have met you," and warmly pressing Nekhludoff's hand, he jumped into the trap and waved his white-gloved hand in front of his shiny face, with his usual smile, showing his exceptionally white teeth.

"Can I have also been like that?" Nekhludoff thought, as he continued his way to the advocate's. "Yes, I wished to be like


Resurrection