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Today's Stichomancy for Robert De Niro

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

that the evils of power in the present system are vastly greater than is necessary, nor that they might be immeasurably diminished by a suitable form of Socialism. A few fortunate people, it is true, are now enabled to live freely on rent or interest, and they could hardly have more liberty under another system. But the great bulk, not only of the very poor, but, of all sections of wage-earners and even of the professional classes, are the slaves of the need for getting money. Almost all are compelled to work so hard that they have little leisure for enjoyment

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moon-Face and Other Stories by Jack London:

"This IS remarkable," Mrs. Grantly was reiterating. "There was never anything like it. Think of it, my dear, both your father and mother here with us tonight."

Lute shivered. The lassitude was gone, and she was her natural self again, vibrant with the instinctive fear of things unseen. And it was offensive to her mind that, real or illusion, the presence or the memorized existences of her father and mother should he touched by these two persons who were practically strangers--Mrs. Grantly, unhealthy and morbid, and Mr. Barton, stolid and stupid with a grossness both of the flesh and the spirit. And it further seemed a trespass that these strangers should thus enter into the intimacy between her and Chris.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

seats in the stage, and promise to pay when we got to New Bedford. We were encouraged to do this by two excellent gentlemen, residents of New Bedford, whose names I afterward ascertained to be Joseph Ricketson and William C. Taber. They seemed at once to understand our circumstances, and gave us such assurance of their friendliness as put us fully at ease in their presence. It was good indeed to meet with such friends, at such a time. Upon reaching New Bedford, we were directed to the house of Mr. Nathan Johnson, by whom we were kindly received,


The Narrative of the Life of Frederick Douglass: An American Slave
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Where There's A Will by Mary Roberts Rinehart:

hair I ever saw. Mine was pale by comparison. He was rather short and heavy-set, and he had a pleasant face, although not handsome, his nose being slightly bent to the left. But at first all I could see was his hair.

"Good evening," he said, edging himself in. "Are you Miss Waters?"

"Yes," I said, rising and getting a glass ready, "although I'm not called that often, except by people who want to pun on my name and my business." I looked at him sharply, but he hadn't intended any pun.

He took off his hat and came over to the spring where I was