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Today's Stichomancy for Robert Downey Jr.

The first excerpt represents the past or something you must release, and is drawn from The Octopus by Frank Norris:

aimlessly in the direction of the Yosemite House, fingering the yellow envelope and looking vacantly at the sidewalk.

There was a stoop to his massive shoulders. His great arms dangled loosely at his sides, the palms of his hands open.

As he went along, a certain feeling of shame touched him. Surely his predicament must be apparent to every passer-by. No doubt, every one recognised the unsuccessful man in the very way he slouched along. The young girls in lawns, muslins, and garden hats, returning from the Post Office, their hands full of letters, must surely see in him the type of the failure, the bankrupt.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Falk by Joseph Conrad:

known, simply when his arbitrary spirit moved him), after ascertaining carefully in the office that there was enough money to meet his bill, would come along unsympathetically, glaring at you with his yellow eyes from the bridge, and would drag you out dishevelled as to rigging, lumbered as to the decks, with unfeeling haste, as if to execution. And he would force you too to take the end of his own wire hawser, for the use of which there was of course an extra charge. To your shouted remonstrances against that extortion this towering trunk with one


Falk
The third excerpt represents the future or something you must embrace, and is drawn from The Vision Splendid by William MacLeod Raine:

you know at eleven. Don't worry, Sam. It will be all right."

The legislator shook hands again. "I ain't going to forget what you're doing for me. No, sir!"

Jeff laughed his thanks easily. "That's all right. I reckon you would have done as much for me. Sam Killen isn't the man to throw his friends down."

"That's right," returned the other with a sudden valiant infusion of courage. "I stand pat. I'm not going to lie down before the Transcontinental. Not on your life, I ain't."

They were walking toward the outer door as Killen's speech overflowed. "The Transcontinental doesn't own this state yet. No,