| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Augsburg Confession by Philip Melanchthon: of religion after the manner in which Your Imperial Majesty has
wisely held that it should be dealt with and treated namely, by
such mutual presentation of writings and calm conferring together
among ourselves, we at least leave with you a clear testimony,
that we here in no wise are holding back from anything that could
bring about Christian concord, -- such as could be effected with
God and a good conscience, -- as also Your Imperial Majesty and,
next, the other Electors and Estates of the Empire, and all who
are moved by sincere love and zeal for religion, and who will
give an impartial hearing to this matter, will graciously deign
to take notice and to understand this from this Confession of
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of the West by O. Henry: favour of the conventions.
Ranse went up to Buck Rabb, the camp boss, and spoke briefly.
"He's a plumb buzzard," said Buck. "He won't work, and he's the low-
downest passel of inhumanity I ever see. I didn't know what you wanted
done with him, Ranse, so I just let him set. That seems to suit him.
He's been condemned to death by the boys a dozen times, but I told 'em
maybe you was savin' him for the torture."
Ranse took off his coat.
"I've got a hard job before me, Buck, I reckon, but it has to be done.
I've got to make a man out of that thing. That's what I've come to
camp for."
 Heart of the West |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dream Life and Real Life by Olive Schreiner: dressed in ragged yellow trousers, and a dirty shirt, and torn jacket. He
had a red handkerchief round his head, and a felt hat above that. His nose
was flat, his eyes like slits, and the wool on his head was gathered into
little round balls. He came to the milk-bush, and looked at the little
girl lying in the hot sun. Then he walked off, and caught one of the
fattest little Angora goats, and held its mouth fast, as he stuck it under
his arm. He looked back to see that she was still sleeping, and jumped down
into one of the sluits. He walked down the bed of the sluit a little way
and came to an overhanging bank, under which, sitting on the red sand, were
two men. One was a tiny, ragged, old bushman, four feet high; the other
was an English navvy, in a dark blue blouse. They cut the kid's throat
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Laches by Plato: likely to become rash, and his character will be only more notorious; or if
he be brave, and fail ever so little, other men will be on the watch, and
he will be greatly traduced; for there is a jealousy of such pretenders;
and unless a man be pre-eminent in valour, he cannot help being ridiculous,
if he says that he has this sort of skill. Such is my judgment,
Lysimachus, of the desirableness of this art; but, as I said at first, ask
Socrates, and do not let him go until he has given you his opinion of the
matter.
LYSIMACHUS: I am going to ask this favour of you, Socrates; as is the more
necessary because the two councillors disagree, and some one is in a manner
still needed who will decide between them. Had they agreed, no arbiter
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