Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Robert Downey Jr.

The first excerpt represents the past or something you must release, and is drawn from A Heap O' Livin' by Edgar A. Guest:

It isn't a joy to be sipped now and then And promptly put back in a dark place again.

Life is a gift that the humblest may boast of And one that the humblest may well make the most of. Get out and live it each hour of the day, Wear it and use it as much as you may; Don't keep it in niches and corners and grooves, You'll find that in service its beauty improves.

STORY TELLING

Most every night when they're in bed,


A Heap O' Livin'
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Sylvie and Bruno by Lewis Carroll:

in a cup, till most of them had at least one great stupid eye gazing at the stage.

"Oo must come and sit among them, Sylvie," he said in despair, "I've put these two side-by-side, with their noses the same way, ever so many times, but they do squarrel so!"

So Sylvie took her place as 'Mistress of the Ceremonies,' and Bruno vanished again behind the scenes, to dress for the first 'Bit.'

"Hamlet!" was suddenly proclaimed, in the clear sweet tones I knew so well. The croaking all ceased in a moment, and I turned to the stage, in some curiosity to see what Bruno's ideas were as to the behaviour of Shakespeare's greatest Character.


Sylvie and Bruno
The third excerpt represents the future or something you must embrace, and is drawn from Almayer's Folly by Joseph Conrad:

perched on his shoulder. When the bananas came they had their breakfast together; both hungry, both eating greedily and showering the skins round them recklessly, in the trusting silence of perfect friendship. Ali went away, grumbling, to cook some rice himself, for all the women about the house had disappeared; he did not know where. Almayer did not seem to care, and, after he finished eating, he sat on the table swinging his legs and staring at the river as if lost in thought.

After some time he got up and went to the door of a room on the right of the verandah. That was the office. The office of Lingard and Co. He very seldom went in there. There was no


Almayer's Folly