| The first excerpt represents the past or something you must release, and is drawn from Othello by William Shakespeare: And praye the Moore be safe; for they were parted
With fowle and violent Tempest
Mon. Pray Heauens he be:
For I haue seru'd him, and the man commands
Like a full Soldier. Let's to the Sea-side (hoa)
As well to see the Vessell that's come in,
As to throw-out our eyes for braue Othello,
Euen till we make the Maine, and th' Eriall blew,
An indistinct regard
Gent. Come, let's do so;
For euery Minute is expectancie
 Othello |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: dime, but M'sieu could not get down to that yet. So he stayed
outside until all the beautiful women in their warm wraps, a
bright-hued chattering throng, came down the grand staircase to
their carriages.
It was on one of these nights that Courcey and Martel found him
shivering at the corner.
"Hello, M'sieu Fortier," cried Courcey, "are you ready to let me
have that violin yet?"
"For shame!" interrupted Martel.
"Fifty dollars, you know," continued Courcey, taking no heed of
his friend's interpolation.
 The Goodness of St. Rocque and Other Stories |
The third excerpt represents the future or something you must embrace, and is drawn from To the Lighthouse by Virginia Woolf: And then Mrs Ramsay would be annoyed because somebody was late, or the
butter not fresh, or the teapot chipped. And all the time she was
saying that the butter was not fresh one would be thinking of Greek
temples, and how beauty had been with them there in that stuffy little
room. She never talked of it--she went, punctually, directly. It was
her instinct to go, an instinct like the swallows for the south, the
artichokes for the sun, turning her infallibly to the human race,
making her nest in its heart. And this, like all instincts, was a
little distressing to people who did not share it; to Mr Carmichael
perhaps, to herself certainly. Some notion was in both of them about
the ineffectiveness of action, the supremacy of thought. Her going was
 To the Lighthouse |