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Today's Stichomancy for Robert E. Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

headache. And is it so very amusing to see in a picture what you can see any day in your own street? Don't talk to me of your artists! Like writers, they are a starveling crew. Why the devil need they choose my house to flout it in their pictures?"

"It may help to sell a few ells more of cloth," said Joseph Lebas.

This remark did not protect art and thought from being condemned once again before the judgment-seat of trade. As may be supposed, these speeches did not infuse much hope into Augustine, who, during the night, gave herself up to the first meditations of love. The events of the day were like a dream, which it was a joy to recall to her mind. She was initiated into the fears, the hopes, the remorse, all the ebb

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Garden Party by Katherine Mansfield:

porch till it was all over.

"All over, all over, thank heaven," said Mrs. Sheridan. "Round up the others, Laura. Let's go and have some fresh coffee. I'm exhausted. Yes, it's been very successful. But oh, these parties, these parties! Why will you children insist on giving parties!" And they all of them sat down in the deserted marquee.

"Have a sandwich, daddy dear. I wrote the flag."

"Thanks." Mr. Sheridan took a bite and the sandwich was gone. He took another. "I suppose you didn't hear of a beastly accident that happened to-day?" he said.

"My dear," said Mrs. Sheridan, holding up her hand, "we did. It nearly

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

full of enthusiasm as he. Now she was sour, trivial, insignificant--she had missed her chance of life. And she had no resources, poor creature, was fashioned simply for the primitive functions she had been denied the chance to fulfil! It exasperated him to think of it--and to reflect that even now a little travel, a little health, a little money, might transform her, make her young and desirable. . . The chief fruit of his experience was that there is no such fixed state as age or youth-- there is only health as against sickness, wealth as against poverty; and age or youth as the outcome of the lot one draws.

At this point in his narrative Granice stood up, and went to lean

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Second Jungle Book by Rudyard Kipling:

on the ice-slope.

That was enough for Kotuko. He had been brought up to believe that every rock and boulder had its owner (its inua), who was generally a one-eyed kind of a Woman-Thing called a tornaq, and that when a tornaq meant to help a man she rolled after him inside her stone house, and asked him whether he would take her for a guardian spirit. (In summer thaws the ice-propped rocks and boulders roll and slip all over the face of the land, so you can easily see how the idea of live stones arose.) Kotuko heard the blood beating in his ears as he had heard it all day, and he thought that was the tornaq of the stone speaking to him.


The Second Jungle Book