Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Robert E. Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

you would really study my pleasure, mother, you must consider your own comfort and convenience a little more than you do - as for Rose, I have no doubt she'll take care of herself; and whenever she does make a sacrifice or perform a remarkable act of devotedness, she'll take good care to let me know the extent of it. But for you I might sink into the grossest condition of self-indulgence and carelessness about the wants of others, from the mere habit of being constantly cared for myself, and having all my wants anticipated or immediately supplied, while left in total ignorance of what is done for me, - if Rose did not enlighten me now and then; and I should receive all your kindness as a matter of course,


The Tenant of Wildfell Hall
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Scarecrow of Oz by L. Frank Baum:

feared he might be.

The Ork sat upon its haunches much as a cat does, but used the finger-like claws of its front legs almost as cleverly as if they were hands. Perhaps the most curious thing about the creature was its tail, or what ought to have been its tail. This queer arrangement of skin, bones and muscle was shaped like the propellers used on boats and airships, having fan-like surfaces and being pivoted to its body. Cap'n Bill knew something of mechanics, and observing the propeller- like tail of the Ork he said:


The Scarecrow of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Reef by Edith Wharton:

happening to her at the moment and what the next hour held in store. Seen in this light, the play regained for Darrow its supreme and poignant reality. He pierced to the heart of its significance through all the artificial accretions with which his theories of art and the conventions of the stage had clothed it, and saw it as he had never seen it: as life.

After this there could be no question of flight, and he took her back to the theatre, content to receive his own sensations through the medium of hers. But with the continuation of the play, and the oppression of the heavy

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Crowd by Gustave le Bon:

of the Revolution, and began to again display themselves towards the close of the Franco-German war, it will be seen that the different races represented in France are still far from being completely blended. The vigorous centralisation of the Revolution and the creation of artificial departments destined to bring about the fusion of the ancient provinces was certainly its most useful work. Were it possible to bring about the decentralisation which is to-day preoccupying minds lacking in foresight, the achievement would promptly have for consequence the most sanguinary disorders. To overlook this fact is to leave out of account the entire history of France.