| The first excerpt represents the past or something you must release, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber: chin by very dashing, mustachioed German lieutenants. It
was all very bare, and strange and foreign to my eyes,
and yet there was something bright and comfortable about
it. I felt that I was going to like it, aborigines and
all. The men drink beer with their supper and read the
Staats-Zeitung and the Germania and foreign papers
that I never heard of. It is uncanny, in these United
States. But it is going to be bully for my German.
After my first letter home Norah wrote frantically,
demanding to know if I was the only woman in the house.
I calmed her fears by assuring her that, while the men
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: we must; it's late, and you couldn't find your crowd."
And that was why you might have seen a Mephisto and a slender
troubadour of lovely form, with mandolin flung across his
shoulder, followed by a bevy of jockeys and ballet girls,
laughing and singing as they swept down Rampart Street.
When the flash and glare and brilliancy of Canal Street have
palled upon the tired eye, when it is yet too soon to go home to
such a prosaic thing as dinner, and one still wishes for novelty,
then it is wise to go into the lower districts. There is fantasy
and fancy and grotesqueness run wild in the costuming and the
behaviour of the maskers. Such dances and whoops and leaps as
 The Goodness of St. Rocque and Other Stories |
The third excerpt represents the future or something you must embrace, and is drawn from Court Life in China by Isaac Taylor Headland: enter and reveal our identity, lest we implicate them, for we
found the Boxers strong everywhere, and even the officials feared
their prowess. We hung about the yamen begging in such a way as
not to arouse suspicion, until an old servant who had been in the
family for many years, and whom I knew well, came upon the
street. I followed him begging until we were out of earshot of
others, and then told him in a singsong, whining tone, such as
beggars use, who I was and why I was there, and asked him to let
my uncle know, and said that if they would open the small gate in
the evening we would be near and could enter unobserved.
"At first he could not believe it was I, for by this time we
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