| The first excerpt represents the past or something you must release, and is drawn from The Three Taverns by Edwin Arlington Robinson: That has no eyes to see? And as for music,
He paid with empty wonder for the pangs
Of his infrequent forced endurance of it;
And having had no pleasure, paid no more
For needless immolation, or for the sight
Of those who heard what he was never to hear.
To see them listening was itself enough
To make him suffer; and to watch worn eyes,
On other days, of strangers who forgot
Their sorrows and their failures and themselves
Before a few mysterious odds and ends
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Venus and Adonis by William Shakespeare: Leading him prisoner in a red-rose chain:
Strong-temper'd steel his stronger strength obey'd,
Yet was he servile to my coy disdain. 112
O! be not proud, nor brag not of thy might,
For mastering her that foil'd the god of fight.
Touch but my lips with those falr lips of thine,--
Though mine be not so fair, yet are they red,-- 116
The kiss shall be thine own as well as mine:
What seest thou in the ground? hold up thy head:
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes? 120
|
The third excerpt represents the future or something you must embrace, and is drawn from Twilight Land by Howard Pyle: with the ring and a letter from the princess. This time Sebastian
the Goldsmith fitted him with a suit of splendid plum-colored
silk and gave him a dappled horse, and again Beppo and his two
attendants rode away to the palace. And this time every one knew
him, and as he went up the steps into the palace all present
bowed to him. The king saw him as soon as he appeared, and when
he caught sight of him he burst out laughing.
"Aye," said he, "I was looking for thee today, and wondering how
soon thou wouldst come. Come hither till I whisper something in
thine ear."
Then all the lords and nobles and courtiers and ministers drew
|
