The first excerpt represents the past or something you must release, and is drawn from Euthyphro by Plato: are said to require attention, and not every person is able to attend to
them, but only a person skilled in horsemanship. Is it not so?
EUTHYPHRO: Certainly.
SOCRATES: I should suppose that the art of horsemanship is the art of
attending to horses?
EUTHYPHRO: Yes.
SOCRATES: Nor is every one qualified to attend to dogs, but only the
huntsman?
EUTHYPHRO: True.
SOCRATES: And I should also conceive that the art of the huntsman is the
art of attending to dogs?
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Helen of Troy And Other Poems by Sara Teasdale: You have seen poor maidens die,
Tell me then what I shall do
That my lover may be true."
Said the wind from out the south,
"Lay no kiss upon his mouth,"
And the wind from out the west,
"Wound the heart within his breast,"
And the wind from out the east,
"Send him empty from the feast,"
And the wind from out the north,
"In the tempest thrust him forth,
|
The third excerpt represents the future or something you must embrace, and is drawn from The Elixir of Life by Honore de Balzac: dying man assurance of resurrection; a dutiful and obedient son
sat there watching him with loving and respectful eyes. Towards
eleven o'clock he desired to be left alone with this single-
hearted being.
"Felipe," said the father, in tones so soft and affectionate that
the young man trembled, and tears of gladness came to his eyes;
never had that stern father spoken his name in such a tone.
"Listen, my son," the dying man went on. "I am a great sinner.
All my life long, however, I have thought of my death. I was once
the friend of the great Pope Julius II.; and that illustrious
Pontiff, fearing lest the excessive excitability of my senses
|