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Today's Stichomancy for Robert Oppenheimer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

Really, Sybil has done you a great deal of good. And now you must run away, for I am dining with some very dull people, who won't talk scandal, and I know that if I don't get my sleep now I shall never be able to keep awake during dinner. Good-bye, Arthur, give my love to Sybil, and thank you so much for the American medicine.'

'You won't forget to take it, Lady Clem, will you?' said Lord Arthur, rising from his seat.

'Of course I won't, you silly boy. I think it is most kind of you to think of me, and I shall write and tell you if I want any more.'

Lord Arthur left the house in high spirits, and with a feeling of immense relief.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Menexenus by Plato:

infer that he was unacquainted with a second dialogue bearing the same name. Moreover, the mere existence of a Greater and Lesser Hippias, and of a First and Second Alcibiades, does to a certain extent throw a doubt upon both of them. Though a very clever and ingenious work, the Lesser Hippias does not appear to contain anything beyond the power of an imitator, who was also a careful student of the earlier Platonic writings, to invent. The motive or leading thought of the dialogue may be detected in Xen. Mem., and there is no similar instance of a 'motive' which is taken from Xenophon in an undoubted dialogue of Plato. On the other hand, the upholders of the genuineness of the dialogue will find in the Hippias a true Socratic spirit; they will compare the Ion as being akin both in subject and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Lover's Complaint by William Shakespeare:

Laund'ring the silken figures in the brine That season'd woe had pelleted in tears, And often reading what contents it bears; As often shrieking undistinguish'd woe, In clamours of all size, both high and low.

Sometimes her levell'd eyes their carriage ride; As they did battery to the spheres intend; Sometime diverted their poor balls are tied To th' orbed earth; sometimes they do extend Their view right on; anon their gazes lend To every place at once, and nowhere fix'd,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

and led him into a lonely place to eat out of their hearing, and afterwards to slumber until the chill of the mountain evening roused them to begin their day again. But Nunez slumbered not at all.

Instead, he sat up in the place where they had left him, resting his limbs and turning the unanticipated circumstances of his arrival over and over in his mind.

Every now and then he laughed, sometimes with amusement and sometimes with indignation.

"Unformed mind!" he said. "Got no senses yet! They little know they've been insulting their Heaven-sent King and master . .