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Today's Stichomancy for Robert Oppenheimer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gambara by Honore de Balzac:

and has surmounted it in the loveliest number of the whole opera. How charming is the melody of the /cavatina 'Grace pour toi!'/ All the women present understood it well; each saw herself seized and snatched away on the stage. That part alone would suffice to make the fortune of the opera. Every woman felt herself engaged in a struggle with some violent lover. Never was music so passionate and so dramatic.

"The whole world now rises in arms against the reprobate. This /finale/ may be criticised for its resemblance to that of /Don Giovanni/; but there is this immense difference: in Isabella we have the expression of the noblest faith, a true love that will save Robert, for he scornfully rejects the infernal powers bestowed on him,


Gambara
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Madame Firmiani by Honore de Balzac:

her beauty is enhanced by the looks she gathers in,--a mute homage which she transfers with subtle glances to the man she loves. At moments like these a woman is invested with supernatural power and becomes a magician, a charmer, without herself knowing that she is one; involuntarily she inspires the love that fills her own bosom; her smiles and glances fascinate. If this condition, which comes from the soul, can give attraction even to a plain woman, with what radiance does it not invest a woman of natural elegance, distinguished bearing, fair, fresh, with sparkling eyes, and dressed in a taste that wrings approval from artists and her bitterest rivals.

Have you ever, for your happiness, met a woman whose harmonious voice

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum:

out below them. They seemed to be falling right into the middle of a big city which had many tall buildings with glass domes and sharp-pointed spires. These spires were like great spear-points, and if they tumbled upon one of them they were likely to suffer serious injury.

Jim the horse had seen these spires, also, and his ears stood straight up with fear, while Dorothy and Zeb held their breaths in suspense. But no; they floated gently down upon a broad, flat roof, and came to a stop at last.

When Jim felt something firm under his feet the poor beast's legs trembled so much that he could hardly stand; but Zeb at once leaped


Dorothy and the Wizard in Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Padre Ignacio by Owen Wister:

of it. Presently it was gone, and the great ocean lay empty. The Padre put his glasses in his lap. For a short while he read in his breviary, but soon forgot it again. He looked at the flowers and sunny ridges, then at the huge blue triangle of sea which the opening of the hills let into sight. "Paradise," he murmured, "need not hold more beauty and peace. But I think I would exchange all my remaining years of this for one sight again of Paris or Seville. May God forgive me such a thought!"

Across the unstirred fragrance of oleanders the bell for vespers began to ring. Its tones passed over the Padre as he watched the sea in his garden. They reached his parishioners in their adobe dwellings near by. The gentle circles of sound floated outward upon the smooth, immense