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Today's Stichomancy for Robert Redford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

dared not venture.

To the very top of a tall tree the ape-man clawed his awkward way and after him came Numa, the lion, moaning dismally. At last Tarzan stood balanced upon the very utmost pinnacle of a swaying branch, high above the forest. He could go no farther. Below him the lion came steadily upward, and Tarzan of the Apes realized that at last the end had come. He could not do battle upon a tiny branch with Numa, the lion, especially with such a Numa, to which swaying branches two hundred feet above the ground provided as substantial footing as the ground itself.


The Jungle Tales of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mountains by Stewart Edward White:

all its substance. This for the basic color. You must remember always that it was a true trout, without scales, and so the more satiny. Furthermore, along either side of the belly ran two broad longitudinal stripes of exactly the color and burnish of the copper paint used on racing yachts.

I thought then, and have ever since, that the Golden Trout, fresh from the water, is one of the most beautiful fish that swims. Unfortunately it fades very quickly, and so specimens in alcohol can give no idea of it. In fact, I doubt if you will

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Antonia by Willa Cather:

of forgotten interests revived in me. It seemed, after all, so natural to be walking along a barbed-wire fence beside the sunset, toward a red pond, and to see my shadow moving along at my right, over the close-cropped grass.

`Has mother shown you the pictures you sent her from the old country?' Ambrosch asked. `We've had them framed and they're hung up in the parlour. She was so glad to get them. I don't believe I ever saw her so pleased about anything.' There was a note of simple gratitude in his voice that made me wish I had given more occasion for it.

I put my hand on his shoulder. `Your mother, you know, was very much loved by all of us. She was a beautiful girl.'


My Antonia
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Journey to the Center of the Earth by Jules Verne:

between the manuscript and the document."

I admitted that this was a strictly logical conclusion.

"I am therefore led to imagine," continued my uncle, "that some possessor of this book wrote these mysterious letters. But who was that possessor? Is his name nowhere to be found in the manuscript?"

My uncle raised his spectacles, took up a strong lens, and carefully examined the blank pages of the book. On the front of the second, the title-page, he noticed a sort of stain which looked like an ink blot. But in looking at it very closely he thought he could distinguish some half-effaced letters. My uncle at once fastened upon this as the centre of interest, and he laboured at that blot, until by the help


Journey to the Center of the Earth