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Today's Stichomancy for Roman Polanski

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Heritage of the Desert by Zane Grey:

soon beside him.

Hare cried aloud in welcome.

The canyon widened; there was a clear demarcation where the red walls gave place to yellow; the brook showed no outlet from its subterranean channel. Sheer exhaustion made Hare almost forget his mission; the strength of his resolve had gone into mechanical toil; he kept on, conscious only of the smart of bruised hands and feet and the ache of laboring lungs.

Time went on and the sun hung in the midst of the broadening belt of blue sky. A long slant of yellow slope led down to a sage-covered level, which Hare crossed, pleased to see blooming cacti and wondering at their


The Heritage of the Desert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Astoria by Washington Irving:

The travellers continued their course due west for five days, crossing the valley and entering the mountains. Here the travelling became excessively toilsome, across rough stony ridges, and amidst fallen trees. They were often knee deep in snow, and sometimes in the hollows between the ridges sank up to their waists. The weather was extremely cold; the sky covered with clouds so that for days they had not a glimpse of the sun. In traversing the highest ridge they had a wide but chilling prospect over a wilderness of snowy mountains.

On the 6th of January, however, they had crossed the dividing summit of the chain, and were evidently under the influence of a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moran of the Lady Letty by Frank Norris:

Later on in the afternoon Moran and Wilbur saw a small boat put off from the junk and make a landing by the creek. The beach- combers were taking on water. The boat made three trips before evening, but the beach-combers made no show of molesting the undefended schooner, or in any way interfering with Charlie's camp on the other side of the bay.

"No!" exclaimed Moran between her teeth, as she and Wilbur were cooking supper; "no, they don't need to; they've got about a hundred and fifty thousand dollars of loot on board--OUR loot, too! Good God! it goes against the grain!"

The moon rose considerably earlier that night, and by twelve

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

through which he had entered the court from the subterranean chamber below, the Belgian discovered several doors leading from the enclosure upon the level of the floor. Above, and circling the courtyard, was a series of open balconies. Monkeys scampered about the deserted ruins, and gaily plumaged birds flitted in and out among the columns and the galleries far above; but no sign of human presence was discernible. Werper felt relieved. He sighed, as though a great weight had been lifted from his shoulders. He took a step toward one of the exits, and then he halted, wide-eyed in


Tarzan and the Jewels of Opar