| The first excerpt represents the past or something you must release, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain: the bears got more real satisfaction out of the episode than
the prophet did, because they got the children.
--Pudd'nhead Wilson's Calendar
This history must henceforth accommodate itself to the change which
Roxana has consummated, and call the real heir "Chambers" and the
usurping little slave, "Thomas `a Becket"--shortening this latter
name to "Tom," for daily use, as the people about him did.
"Tom" was a bad baby, from the very beginning of his usurpation.
He would cry for nothing; he would burst into storms of devilish
temper without notice, and let go scream after scream and squall
after squall, then climax the thing with "holding his breath"--
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Children of the Night by Edwin Arlington Robinson: With sin to prove the victor. Perilous
Things are these demons we call our passions:
Slaves are we of their roving fancies,
Fools of their devilish glee. -- You think me,
I know, in this maundering way designing
To lighten the load of my guilt and cast it
Half on the shoulders of God. But hear me!
I'm partly a man, -- for all my weakness, --
If weakness it were to stand and murder
Before men's eyes the man who had murdered
Me, and driven my burning forehead
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The third excerpt represents the future or something you must embrace, and is drawn from House of Seven Gables by Nathaniel Hawthorne: in short, belching forth its kitchen smoke, impregnated the whole air
with the scent of meats, fowls, and fishes, spicily concocted with
odoriferous herbs, and onions in abundance. The mere smell of such
festivity, making its way to everybody's nostrils, was at once an
invitation and an appetite.
Maule's Lane, or Pyncheon Street, as it were now more decorous to
call it, was thronged, at the appointed hour, as with a congregation
on its way to church. All, as they approached, looked upward at
the imposing edifice, which was henceforth to assume its rank among
the habitations of mankind. There it rose, a little withdrawn from
the line of the street, but in pride, not modesty. Its whole visible
 House of Seven Gables |