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Today's Stichomancy for Roman Polanski

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Soul of the Far East by Percival Lowell:

of the loss upon the individuality of the person himself is what concerns us now.

If there is one moment in a man's life when his interest for the world at large pales before the engrossing character of his own emotions, it is assuredly when that man first falls in love. Then, if never before, the world within excludes the world without. For of all our human passions none is so isolating as the tenderest. To shut that one other being in, we must of necessity shut all the rest of mankind out; and we do so with a reckless trust in our own self-sufficiency which has about it a touch of the sublime. The other millions are as though they were not, and we two are alone

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Spirit of the Border by Zane Grey:

"Wetzel may avenge her, but he can never save her. It's too late. Hello---"

The exclamation was called forth by the appearance of Young, who entered with a rifle in his hands.

"George, where are you going with that gun?" asked Edwards, grasping his friend by the arm.

"I'm going after her," answered George wildly. He tottered as he spoke, but wrenched himself free from Dave.

"Come, George, listen, listen to reason," interposed Heckewelder, laying hold of Young. "You are frantic with grief now. So are all of us. But calm yourself. Why, man, you're a preacher, not a hunter. You'd be lost, you'd starve in the woods before getting half way to the Indian town. This is


The Spirit of the Border
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

Through the pale door,

A hideous throng rush out forever,

And laugh--but smile no more.

I well remember that suggestions arising from this ballad, led us into a train of thought wherein there became manifest an opinion of Usher's which I mention not so much on account of its novelty (for other men* have thought thus,) as on account of the pertinacity with which he maintained it. This opinion, in its general form, was that of the sentience of all vegetable things. But, in his disordered fancy, the idea had assumed a more daring character, and trespassed, under certain conditions, upon the


The Fall of the House of Usher
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

let your profits end here. It would be long indeed ere you would find so lucrative a post as that you have how the good fortune to fill. I neither ill-use nor ill-treat my servants by word or action. An error I readily forgive, but wilful negligence or forgetfulness, never. My commands are ordinarily short, clear, and precise; and I would rather be obliged to repeat my words twice, or even three times, than they should be misunderstood. I am rich enough to know whatever I desire to know, and I can promise you I am not wanting in curiosity. If, then, I should learn that you had taken upon yourself to speak of me to any one favorably or


The Count of Monte Cristo