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Today's Stichomancy for Roman Polanski

The first excerpt represents the past or something you must release, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

still more forcibly to ridicule it.

"Who brought it here?" said Lucetta.

"Oh, don't ask me, ma'am!" said Henchard. "The thing--why 'tis impossible it should act. 'Twas brought here by one of our machinists on the recommendation of a jumped-up jackanapes of a fellow who thinks----" His eye caught Elizabeth-Jane's imploring face, and he stopped, probably thinking that the suit might be progressing.

He turned to go away. Then something seemed to occur which his stepdaughter fancied must really be a hallucination of hers. A murmur apparently came from Henchard's lips in


The Mayor of Casterbridge
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

of the tractive type, that is to say where the propellers are placed in the forefront of the machine and in their revolution serve to draw the machine forward. All other considerations must necessarily be sacrificed to the mounting of the propeller. Consequently it is by no means easy to allot a position for the installation of a gun, or if such should be found there is grave risk of the angle of fire being severely restricted. In fact, in many instances the mounting of a gun is out of the question: it becomes a greater menace to the machine than to the enemy.

The French aeronautical section of the military department devoted considerable study to this subject, but found the problem

The third excerpt represents the future or something you must embrace, and is drawn from Frances Waldeaux by Rebecca Davis:

pork-pie hat like Victoria." While her tongue chattered, her eyes watched Lucy keenly. "You don't hear me! You are deciding what to do. Why on earth should you hesitate? He is a gentleman--he loves you!" and then to Lucy's relief she suddenly threw on her hat and rushed off for a walk.

Miss Dunbar painted the priest's robe yellow, in her agitation. But the agitation was not deep. There really seemed no reason why she should hesitate. He would be kind; he was well-bred and agreeable. A princess? She had a vague idea of a glorified region of ancestral