| The first excerpt represents the past or something you must release, and is drawn from Night and Day by Virginia Woolf: remembered it."
The three of them stood for a moment awkwardly silent, and then Mary
left them in order to see that the great pitcher of coffee was
properly handled, for beneath all her education she preserved the
anxieties of one who owns china.
Ralph could think of nothing further to say; but could one have
stripped off his mask of flesh, one would have seen that his will-
power was rigidly set upon a single object--that Miss Hilbery should
obey him. He wished her to stay there until, by some measures not yet
apparent to him, he had conquered her interest. These states of mind
transmit themselves very often without the use of language, and it was
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Great God Pan by Arthur Machen: the crucible. The doctor had a small hand-lamp, shaded as the
larger one, on a ledge above his apparatus, and Clarke, who sat
in the shadows, looked down at the great shadowy room, wondering
at the bizarre effects of brilliant light and undefined darkness
contrasting with one another. Soon he became conscious of an
odd odour, at first the merest suggestion of odour, in the room,
and as it grew more decided he felt surprised that he was not
reminded of the chemist's shop or the surgery. Clarke found
himself idly endeavouring to analyse the sensation, and half
conscious, he began to think of a day, fifteen years ago, that
he had spent roaming through the woods and meadows near his own
The Great God Pan |
The third excerpt represents the future or something you must embrace, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin: cry out loudly, like the young of most other animals, partly as a call
to their parents for aid, and partly from any great exertion serving relief.
Prolonged screaming inevitably leads to the gorging of the blood-vessels of
the eye; and this will have led, at first consciously and at last habitually,
to the contraction of the muscles round the eyes in order to protect them.
At the same time the spasmodic pressure on the surface of the eye,
and the distension of the vessels within the eye, without necessarily
entailing any conscious sensation, will have affected, through reflex action,
the lacrymal glands. Finally, through the three principles of nerve-force
readily passing along accustomed channels--of association, which is so
widely extended in its power--and of certain actions, being more under
Expression of Emotion in Man and Animals |
