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Today's Stichomancy for Ronald Reagan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tristram Shandy by Laurence Sterne:

Writing, when properly managed (as you may be sure I think mine is) is but a different name for conversation. As no one, who knows what he is about in good company, would venture to talk all;--so no author, who understands the just boundaries of decorum and good-breeding, would presume to think all: The truest respect which you can pay to the reader's understanding, is to halve this matter amicably, and leave him something to imagine, in his turn, as well as yourself.

For my own part, I am eternally paying him compliments of this kind, and do all that lies in my power to keep his imagination as busy as my own.

'Tis his turn now;--I have given an ample description of Dr. Slop's sad overthrow, and of his sad appearance in the back-parlour;--his imagination

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lesson of the Master by Henry James:

she was faint with fatigue and must take her way back to the house by the shortest cut. She professed that she hadn't the strength of a kitten and was a miserable wreck; a character he had been too preoccupied to discern in her while he wondered in what sense she could be held to have been the making of her husband. He had arrived at a glimmering of the answer when she announced that she must leave him, though this perception was of course provisional. While he was in the very act of placing himself at her disposal for the return the situation underwent a change; Lord Masham had suddenly turned up, coming back to them, overtaking them, emerging from the shrubbery - Overt could scarcely have said how he appeared

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Life of the Spider by J. Henri Fabre:

entrance to her dwelling with a silken trellis-work, wherein she embeds different matters, often the remnants of victims which she has devoured. The ancient Gael nailed the heads of his vanquished enemies to the door of his hut. In the same way, the fierce Spider sticks the skulls of her prey into the lid of her cave. These lumps look very well on the ogre's roof; but we must be careful not to mistake them for warlike trophies. The animal knows nothing of our barbarous bravado. Everything at the threshold of the burrow is used indiscriminately: fragments of Locust, vegetable remains and especially particles of earth. A Dragon-fly's head baked by the sun is as good as a bit of gravel and no better.


The Life of the Spider
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

till we had settled every difficulty of text or meaning. One unlucky day I was in a print-shop in Holborn, when I saw upon the counter some extremely beautiful drawings in silver-point. I was so attracted by them that I bought them; and the proprietor of the place, a man called Rawlings, told me that they were done by a young painter of the name of Edward Merton, who was very clever, but as poor as a church mouse. I went to see Merton some days afterwards, having got his address from the printseller, and found a pale, interesting young man, with a rather common-looking wife - his model, as I subsequently learned. I told him how much I admired his drawings, at which he seemed very pleased, and I asked