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Today's Stichomancy for Ronald Reagan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

one characteristic incident of the cruise from a semi-naval point of view. One night we were going ashore in Anaho Bay; the most awful noise on deck; the breakers distinctly audible in the cabin; and there I had to sit below, entertaining in my best style a negroid native chieftain, much the worse for rum! You can imagine the evening's pleasure.

This naval report on cruising in the South Seas would be incomplete without one other trait. On our voyage up here I came one day into the dining-room, the hatch in the floor was open, the ship's boy was below with a baler, and two of the hands were carrying buckets as for a fire; this meant that the pumps had ceased working.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Magic of Oz by L. Frank Baum:

true, had been so frightened that they would now never consent to be transformed into men, but Kiki could transform them against their will, and once they were all in human forms, it would not be impossible to induce them to conquer the Oz people.

So all was not lost, thought the old Nome, and the best thing for him to do was to rejoin the Hyup boy who had the secret of the transformations. So, having made sure the Wizard's black bag was not in the clearing, the Goose wandered away through the trees when the others were not looking, and when out of their hearing, he began calling, "Kiki Aru! Kiki Aru! Quack--quack! Kiki Aru!"

The Boy and the Woman, the Fox, the Lamb, and the Rabbit, not being able


The Magic of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

"No; not until he attempted to kill the turnkey, who took his food to him."

"To kill the turnkey?"

"Yes, the very one who is lighting us. Is it not true, Antoine?" asked the governor.

"True enough; he wanted to kill me!" returned the turnkey.

"He must be mad," said the inspector.

"He is worse than that, -- he is a devil!" returned the turnkey.

"Shall I complain of him?" demanded the inspector.

"Oh, no; it is useless. Besides, he is almost mad now, and


The Count of Monte Cristo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An International Episode by Henry James:

"I must say that in that case I am very sorry for Lord Lambeth."

Mrs. Westgate, more and more exhilarated by her scheme, was smiling at her again. "If I could only believe it was safe!" she exclaimed. "When you begin to pity him, I, on my side, am afraid."

"Afraid of what?"

"Of your pitying him too much."

Bessie Alden turned away impatiently; but at the end of a minute she turned back. "What if I should pity him too much?" she asked.

Mrs. Westgate hereupon turned away, but after a moment's reflection she also faced her sister again. "It would come, after all, to the same thing," she said.