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Today's Stichomancy for Ronald Reagan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lair of the White Worm by Bram Stoker:

they would be the most dangerous things that ever were in the world. Tradition says that one of these monsters lived in the Marsh of the East, and came up to a cave in Diana's Grove, which was also called the Lair of the White Worm. Such creatures may have grown down as well as up. They MAY have grown into, or something like, human beings. Lady Arabella March is of snake nature. She has committed crimes to our knowledge. She retains something of the vast strength of her primal being--can see in the dark--has the eyes of a snake. She used the nigger, and then dragged him through the snake's hole down to the swamp; she is intent on evil, and hates some one we love. Result. . . "


Lair of the White Worm
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad:

I suspect that, leaving aside the protestations and tributes of writers who, one is safe in saying, care for little else in the world than the rhythm of their lines and the cadence of their phrase, the love of the sea, to which some men and nations confess so readily, is a complex sentiment wherein pride enters for much, necessity for not a little, and the love of ships - the untiring servants of our hopes and our self-esteem - for the best and most genuine part. For the hundreds who have reviled the sea, beginning with Shakespeare in the line

"More fell than hunger, anguish, or the sea,"

down to the last obscure sea-dog of the "old model," having but few


The Mirror of the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Red Seal by Natalie Sumner Lincoln:

of the criminal, wasn't it?

"Yes. Have you detected the criminal?" Kent put the question with unmoved countenance, but with inward foreboding; the detective's mysterious manner was puzzling.

"Not yet, but I will," Ferguson hesitated. "The first thing was to establish that a crime had really been committed."

Kent bent down and sniffed again at the handkerchief to which a faint fruity aroma still clung.

"How did you discover that?" he asked.

"Dr. McLane and I took the handkerchief to a laboratory and the chemist found from the number of particles of capsules in the


The Red Seal
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of Unrest by Joseph Conrad:

small drawers, among my studs in cardboard boxes--till at last it found permanent rest in a large wooden bowl containing some loose keys, bits of sealing wax, bits of string, small broken chains, a few buttons, and similar minute wreckage that washes out of a man's life into such receptacles. I would catch sight of it from time to time with a distinct feeling of satisfaction till, one day, I perceived with horror that there were two old pens in there. How the other pen found its way into the bowl instead of the fireplace or wastepaper basket I can't imagine, but there the two were, lying side by side, both encrusted with ink and completely undistinguishable from each other. It was very distressing, but being determined not to share my


Tales of Unrest