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Today's Stichomancy for Rose McGowan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dust by Mr. And Mrs. Haldeman-Julius:

might go into that shack and eat ham and eggs with him while they talked crops and politics and animals. There would be no thrills in this opening chapter and he, if not his wife, would be shaken.

Martin was mental, an incurable individualist who found himself sufficient unto himself. He was different from his neighbors in that he was always thinking, asking questions and pondering over his conclusions. He had convinced himself that each demand of the body was useless except the food that nourished it, the clothes that warmed it and the sleep that repaired it. He hated soft things and the twist in his mind that was Martin proved to him their futility. Love? It was an empty dream, a shell that fooled.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

Emperor's physicians.

This was the crisis of Vesalius's life. The medicine with which he had worked the cure was China--Sarsaparilla, as we call it now-- brought home from the then newly-discovered banks of the Paraguay and Uruguay, where its beds of tangled vine, they say, tinge the clear waters a dark-brown like that of peat, and convert whole streams into a healthful and pleasant tonic. On the virtues of this China (then supposed to be a root) Vesalius wrote a famous little book, into which he contrived to interweave his opinions on things in general, as good Bishop Berkeley did afterwards into his essay on the virtues of tar-water. Into this book, however, Vesalius

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Eryxias by Platonic Imitator:

SOCRATES: Clearly we have not yet answered the question, What is wealth? That wealth must be useful, to be wealth at all,--thus much is acknowledged by every one. But what particular thing is wealth, if not all things? Let us pursue the argument in another way; and then we may perhaps find what we are seeking. What is the use of wealth, and for what purpose has the possession of riches been invented,--in the sense, I mean, in which drugs have been discovered for the cure of disease? Perhaps in this way we may throw some light on the question. It appears to be clear that whatever constitutes wealth must be useful, and that wealth is one class of useful things; and now we have to enquire, What is the use of those useful things which constitute wealth? For all things probably may be said to be useful

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Seraphita by Honore de Balzac:

fences, even those of fields. This Swedish house, thus protected against the climate, stood on rising ground in the centre of an immense courtyard. The windows were sheltered by those projecting pent-house roofs supported by squared trunks of trees which give so patriarchal an air to Northern dwellings. From beneath them the eye could see the savage nudity of the Falberg, or compare the infinitude of the open sea with the tiny drop of water in the foaming fiord; the ear could hear the flowing of the Sieg, whose white sheet far away looked motionless as it fell into its granite cup edged for miles around with glaciers,--in short, from this vantage ground the whole landscape whereon our simple yet superhuman drama was about to be


Seraphita