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Today's Stichomancy for Rosie O'Donnell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Macbeth by William Shakespeare:

His flight was madnesse: when our Actions do not, Our feares do make vs Traitors

Rosse. You know not Whether it was his wisedome, or his feare

Wife. Wisedom? to leaue his wife, to leaue his Babes, His Mansion, and his Titles, in a place From whence himselfe do's flye? He loues vs not, He wants the naturall touch. For the poore Wren (The most diminitiue of Birds) will fight, Her yong ones in her Nest, against the Owle: All is the Feare, and nothing is the Loue;


Macbeth
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mansion by Henry van Dyke:

grew sharper and more distinct. The feeling of bodily weariness and lassitude weighed upon him, but there was a calm, almost a lightness, in his heart as he listened to the fading vibrations of the silvery bell-tones. The chimney clock on the mantel had just ended the last stroke of seven as he lifted his head from the table. Thin, pale strips of the city morning were falling into the room through the narrow partings of the heavy curtains.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Amy Foster by Joseph Conrad:

terance positively shocked everybody. 'An excit- able devil,' they called him. One evening, in the tap-room of the Coach and Horses (having drunk some whisky), he upset them all by singing a love song of his country. They hooted him down, and he was pained; but Preble, the lame wheelwright, and Vincent, the fat blacksmith, and the other nota- bles too, wanted to drink their evening beer in peace. On another occasion he tried to show them how to dance. The dust rose in clouds from the sanded floor; he leaped straight up amongst the


Amy Foster
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

An appalling splash within two yards of him was followed by a loud, rushing sound, DIMINUENDO, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps! A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken an hand in the game. As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond.

"They will not do that again," he thought; "the next time


An Occurrence at Owl Creek Bridge