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Today's Stichomancy for Rosie O'Donnell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In the South Seas by Robert Louis Stevenson:

memories; whence all the education in the northern Gilberts traces its descent; and where we were boarded by little native Sunday- school misses in clean frocks, with demure faces, and singing hymns as to the manner born.

Our experience of Devil-work at Apaiang had been as follows:- It chanced we were benighted at the house of Captain Tierney. My wife and I lodged with a Chinaman some half a mile away; and thither Captain Reid and a native boy escorted us by torch-light. On the way the torch went out, and we took shelter in a small and lonely Christian chapel to rekindle it. Stuck in the rafters of the chapel was a branch of knotted palm. 'What is that?' I asked. 'O,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Spirit of the Border by Zane Grey:

frame tapering wedge-like from his broad shoulders. The bulging line of his thick neck, the deep chest, the knotty contour of his bared forearm, and the full curves of his legs--all denoted a wonderful muscular development.

The power expressed in this man's body seemed intensified in his features. His face was white and cold, his jaw square and set; his coal-black eyes glittered with almost a superhuman fire. And his hair, darker than the wing of a crow, fell far below his shoulders; matted and tangled as it was, still it hung to his waist, and had it been combed out, must have reached his knees.

One long moment Wingenund stood facing his foe, and then over the multitude and through the valley rolled his sonorous voice:

"Deathwind dies at dawn!"


The Spirit of the Border
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Red Inn by Honore de Balzac:

lost, even after seven invasions.

This stranger laughed with simplicity, listened attentively, and drank remarkably well, seeming to like champagne as much perhaps as he liked his straw-colored Johannisburger. His name was Hermann, which is that of most Germans whom authors bring upon their scene. Like a man who does nothing frivolously, he was sitting squarely at the banker's table and eating with that Teutonic appetite so celebrated throughout Europe, saying, in fact, a conscientious farewell to the cookery of the great Careme.

To do honor to his guest the master of the house had invited a few intimate friends, capitalists or merchants, and several agreeable and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Almayer's Folly by Joseph Conrad:

to be looked to to make life bearable amongst the triumphant savagery of the river. Almayer lived now alone, having even ceased to visit his debtors who would not pay, sure of Lakamba's protection. The faithful Sumatrese Ali cooked his rice and made his coffee, for he dared not trust any one else, and least of all his wife. He killed time wandering sadly in the overgrown paths round the house, visiting the ruined godowns where a few brass guns covered with verdigris and only a few broken cases of mouldering Manchester goods reminded him of the good early times when all this was full of life and merchandise, and he overlooked a busy scene on the river bank, his little daughter by his side.


Almayer's Folly