| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Arizona Nights by Stewart Edward White: I must have made some noise, for he turned quietly toward me, saw
I was awake, and nodded. The moonlight was sparkling on the hard
stony landscape, and a thin dampness came out from the sea.
After a minute Anderson threw on another stick of wood, yawned,
and stood up.
"It's wet," said he; "I've been fixing the guns."
He showed me how he was inserting a little patch of felt between
the hammer and the nipple, a scheme of his own for keeping damp
from the powder. Then he rolled up in his blanket. At the time
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Venus and Adonis by William Shakespeare: Enfranchising his mouth, his back, his breast. 396
'Who sees his true-love in her naked bed,
Teaching the sheets a whiter hue than white,
But, when his glutton eye so full hath fed,
His other agents aim at like delight? 400
Who is so faint, that dare not bo so bold
To touch the fire, the weather being cold?
'Let me excuse thy courser, gentle boy;
And learn of him, I heartily beseech thee, 404
To take advantage on presented joy
Though I were dumb, yet his proceedings teach thee.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Susan by Jane Austen: exiled from it. Leave Frederica, therefore, to punish herself for the
plague she has given you, by indulging that romantic tender-heartedness
which will always ensure her misery enough, and come to London as soon as
you can. I have another reason for urging this: Mainwaring came to town
last week, and has contrived, in spite of Mr. Johnson, to make
opportunities of seeing me. He is absolutely miserable about you, and
jealous to such a degree of De Courcy that it would be highly unadvisable
for them to meet at present. And yet, if you do not allow him to see you
here, I cannot answer for his not committing some great imprudence--such as
going to Churchhill, for instance, which would be dreadful! Besides, if you
take my advice, and resolve to marry De Courcy, it will be indispensably
 Lady Susan |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Heap O' Livin' by Edgar A. Guest: into yer heart:
The old high chairs, the playthings, too, the
little shoes they wore
Ye hoard; an' if ye could ye'd keep the thumb-
marks on the door.
Ye've got t' weep t' make it home, ye've got t'
sit an' sigh
An' watch beside a loved one's bed, an' know
that Death is nigh;
An' in the stillness o' the night t' see Death's
angel come,
 A Heap O' Livin' |