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Today's Stichomancy for Rudi Bakhtiar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Figure in the Carpet by Henry James:

so quietly! - the unimagined truth. It was in other words to trace the figure in the carpet through every convolution, to reproduce it in every tint. The result, according to my friend, would be the greatest literary portrait ever painted, and what he asked of me was just to be so good as not to trouble him with questions till he should hang up his masterpiece before me. He did me the honour to declare that, putting aside the great sitter himself, all aloft in his indifference, I was individually the connoisseur he was most working for. I was therefore to be a good boy and not try to peep under the curtain before the show was ready: I should enjoy it all the more if I sat very still.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

ship, called the Minerva, but she was getting old and leaky. I meant it should be my last v'y'ge in her, and so it proved. She had been an excellent vessel in her day. Of the cowards aboard her I can't say so much."

"Then you were wrecked?" I asked, as he made a long pause.

"I wa'n't caught astern o' the lighter by any fault of mine," said the captain gloomily. "We left Fort Churchill and run out into the Bay with a light pair o' heels; but I had been vexed to death with their red-tape rigging at the company's office, and chilled with stayin' on deck an' tryin' to hurry up things, and when we were well out o' sight o' land, headin' for Hudson's

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Father Sergius by Leo Tolstoy:

Petersburg to be near her son and have him with her for the holidays.

The boy was distinguished both by his brilliant ability and by his immense self-esteem. He was first both in his studies--especially in mathematics, of which he was particularly fond--and also in drill and in riding. Though of more than average height, he was handsome and agile, and he would have been an altogether exemplary cadet had it not been for his quick temper. He was remarkably truthful, and was neither dissipated nor addicted to drink. The only faults that marred his conduct were fits of fury to which he was subject and during which he

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Symposium by Plato:

first, that man cannot exist in isolation; he must be reunited if he is to be perfected: secondly, that love is the mediator and reconciler of poor, divided human nature: thirdly, that the loves of this world are an indistinct anticipation of an ideal union which is not yet realized.

The speech of Agathon is conceived in a higher strain, and receives the real, if half-ironical, approval of Socrates. It is the speech of the tragic poet and a sort of poem, like tragedy, moving among the gods of Olympus, and not among the elder or Orphic deities. In the idea of the antiquity of love he cannot agree; love is not of the olden time, but present and youthful ever. The speech may be compared with that speech of Socrates in the Phaedrus in which he describes himself as talking