| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw: terrace, walking in her sleep._
THE LADY. _[rubbing her hands as if washing them]_ Out, damned spot.
You will mar all with these cosmetics. God made you one face; and you
make yourself another. Think of your grave, woman, not ever of being
beautified. All the perfumes of Arabia will not whiten this Tudor
hand.
THE MAN. "All the perfumes of Arabia"! "Beautified"! "Beautified"!
a poem in a single word. Can this be my Mary? _[To the Lady]_ Why
do you speak in a strange voice, and utter poetry for the first time?
Are you ailing? You walk like the dead. Mary! Mary!
THE LADY. _[echoing him]_ Mary! Mary! Who would have thought that
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw: is authentic, which I see no reason to doubt, and the lady's hair
undyed, which is perhaps less certain. Shakespear rubbed in the
lady's complexion in his sonnets mercilessly; for in his day black
hair was as unpopular as red hair was in the early days of Queen
Victoria. Any tinge lighter than raven black must be held fatal to
the strongest claim to be the Dark Lady. And so, unless it can be
shewn that Shakespear's sonnets exasperated Mary Fitton into dyeing
her hair and getting painted in false colors, I must give up all
pretence that my play is historical. The later suggestion of Mr
Acheson that the Dark Lady, far from being a maid of honor, kept a
tavern in Oxford and was the mother of Davenant the poet, is the one I
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