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Today's Stichomancy for Russell Crowe

The first excerpt represents the past or something you must release, and is drawn from Shakespeare's Sonnets by William Shakespeare:

Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace: Even so my sun one early morn did shine, With all triumphant splendour on my brow; But out! alack! he was but one hour mine, The region cloud hath mask'd him from me now. Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

fifteen or eighteen years, but he scanned them in vain, they successfully withstood every test; among them were no duplicates of the prints on the knife.

The presence of the knife on the stage of the murder was a worrying circumstance for Wilson. A week previously he had as good as admitted to himself that he believed Luigi had possessed such a knife, and that he still possessed it notwithstanding his pretense that it had been stolen. And now here was the knife, and with it the twins. Half the town had said the twins were humbugging when the claimed they had lost their knife, and now these people were joyful, and said, "I told you so!"

The third excerpt represents the future or something you must embrace, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

upon deck. In the first instance, however, he groped his way in darkness from his own cabin through the berths of the officers, where all was quietness. He next entered the galley and other compartments occupied by the artificers. Here also all was shut up in darkness, the fire having been drowned out in the early part of the gale. Several of the artificers were employed in prayer, repeating psalms and other devotional exercises in a full tone of voice; others protesting that, if they should fortunately get once more on shore, no one should ever see them afloat again. With the assistance of the landing-master, the writer made his way, holding on step by