Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Russell Crowe

The first excerpt represents the past or something you must release, and is drawn from Stories From the Old Attic by Robert Harris:

hints, too."

"Your overtures, as you call them, wouldn't have been unwelcome. But what do you mean you sent me hints?"

"I took you out to lunch."

"But you took lots of girls out to lunch."

"That was just for companionship or friendship. I just liked them, but I loved you. I thought about you day and night all through college, and for awhile after graduation, too."

"I wrote you a couple of love letters that I never sent."

"Gosh, I wish you'd said something."

"I wish you'd said something, too."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

not find in her heart to hesitate any longer. Making one bound (for this little princess was as active as a squirrel), there sat Europa on the beautiful bull, holding an ivory horn in each hand, lest she should fall off.

"Softly, pretty bull, softly!" she said, rather frightened at what she had done. "Do not gallop too fast."

Having got the child on his back, the animal gave a leap into the air, and came down so like a feather that Europa did not know when his hoofs touched the ground. He then began a race to that part of the flowery plain where her three brothers were, and where they had just caught their splendid butterfly. Europa


Tanglewood Tales
The third excerpt represents the future or something you must embrace, and is drawn from Life in the Iron-Mills by Rebecca Davis:

tightness of his hold would strengthen his sense of possession, he went aimlessly down the street. It was his watch at the mill. He need not go, need never go again, thank God!--shaking off the thought with unspeakable loathing.

Shall I go over the history of the hours of that night? how the man wandered from one to another of his old haunts, with a half- consciousness of bidding them farewell,--lanes and alleys and back-yards where the mill-hands lodged,--noting, with a new eagerness, the filth and drunkenness, the pig-pens, the ash- heaps covered with potato-skins, the bloated, pimpled women at the doors, with a new disgust, a new sense of sudden triumph,


Life in the Iron-Mills