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Today's Stichomancy for Salma Hayek

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Large Catechism by Dr. Martin Luther:

children well and fluently and diligently exercise themselves in them and keep them occupied with them.

Therefore it is the duty of every father of a family to question and examine his children and servants at least once a week and to ascertain what they know of it, or are learning and, if they do not know it, to keep them faithfully at it. For I well remember the time, indeed, even now it is a daily occurrence that one finds rude, old persons who knew nothing and still know nothing of these things, and who, nevertheless, go to Baptism and the Lord's Supper, and use everything belonging to Christians, notwithstanding that those who come to the Lord's Supper ought to know more and have a fuller understanding

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Episode Under the Terror by Honore de Balzac:

the man who had heard mass in the garret three days ago.

"Who is it?" he asked; "who is the man with----"

"That is the headsman," answered M. Ragon, calling the executioner-- the executeur des hautes oeuvres--by the name he had borne under the Monarchy.

"Oh! my dear, my dear! M. l'Abbe is dying!" cried out old Madame Ragon. She caught up a flask of vinegar, and tried to restore the old priest to consciousness.

"He must have given me the handkerchief that the King used to wipe his brow on the way to his martyrdom," murmured he. " . . . Poor man! . . . There was a heart in the steel blade, when none was found in all

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Young Forester by Zane Grey:

as with the study of forestry. But, though the adventure called most strongly to me, I knew I was sincere about the forestry end of it, and I resolved that I would never slight my opportunities. So, smothering conscience, I fell to the delight of making plans. I was for breaking camp at once, but Hal persuaded me to stay one more day. We talked for hours. Only one thing bothered me. Hal was jolly and glum by turns. He reveled in the plans for my outfit, but he wanted his own chance. A thousand times I had to repeat my promise, and the last thing he said before we slept was: "Ken, you're going to ring me in next summer!"

II. THE MAN ON THE TRAIN

Travelling was a new experience to me, and on the first night after I left


The Young Forester
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moby Dick by Herman Melville:

into my room at the dead of night. In fact, I was so afraid of him that I was not game enough just then to address him, and demand a satisfactory answer concerning what seemed inexplicable in him.

Meanwhile, he continued the business of undressing, and at last showed his chest and arms. As I live, these covered parts of him were checkered with the same squares as his face; his back, too, was all over the same dark squares; he seemed to have been in a Thirty Years' War, and just escaped from it with a sticking-plaster shirt. Still more, his very legs were marked, as if a parcel of dark green frogs were running up the trunks of young palms. It was now quite plain that he must be some abominable savage or other shipped aboard


Moby Dick