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Today's Stichomancy for Salma Hayek

The first excerpt represents the past or something you must release, and is drawn from Under the Red Robe by Stanley Weyman:

turned to him. But he only said again,--

'Hush! Pass by here quietly, Monsieur.'

'Why?' I asked mutinously, curiosity getting the better of me. For had I been wise I had taken no notice; every second his horse was coming up with mine. Its nose was level with my stirrup already.

'Hush, man!' he said again. This time there was no mistake about the panic in his voice. 'They call this the Devil's Chapel, God send us safe by it! It is late to be here. Look at those!' he continued, pointing with a finger which visibly shook.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dreams by Olive Schreiner:

cannot forgive! Oh, God, I cannot forgive!'

"I said to him, 'See here, look back on all your past. See from your childhood all smallness, all indirectness that has been yours; look well at it, and in its light do you not see every man your brother? Are you so sinless you have right to hate?'

"He looked, and said, 'Yes, you are right; I too have failed, and I forgive my fellow. Go, I am satisfied; I have forgiven;' and he laid him down peacefully and folded his hands on his breast, and I thought it was well with him. But scarcely had my wings rustled and I turned to come up here, when I heard one crying out on earth again, 'I cannot forgive! I cannot forgive! Oh, God, God, I cannot forgive! It is better to die than to

The third excerpt represents the future or something you must embrace, and is drawn from Walking by Henry David Thoreau:

right way; but we are very liable from heedlessness and stupidity to take the wrong one. We would fain take that walk, never yet taken by us through this actual world, which is perfectly symbolical of the path which we love to travel in the interior and ideal world; and sometimes, no doubt, we find it difficult to choose our direction, because it does not yet exist distinctly in our idea.

When I go out of the house for a walk, uncertain as yet whither I will bend my steps, and submit myself to my instinct to decide for me, I find, strange and whimsical as it may seem, that I finally and inevitably settle southwest, toward some particular


Walking