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Today's Stichomancy for Salvador Dali

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Agent by Joseph Conrad:

trap of - a trap of a terrible kind. Comrade Ossipon had no settled conception now of what was happening to him. Catching his thigh against the end of the counter, he spun round, staggered with a cry of pain, felt in the distracting clatter of the bell his arms pinned to his side by a convulsive hug, while the cold lips of a woman moved creepily on his very ear to form the words:

"Policeman! He has seen me!"

He ceased to struggle; she never let him go. Her hands had locked themselves with an inseparable twist of fingers on his robust back. While the footsteps approached, they breathed quickly, breast to breast, with hard, laboured breaths, as if theirs had been the


The Secret Agent
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Witch, et. al by Anton Chekhov:

dressed up in their best and went in a crowd together to church, and it was a cheering sight to see them in their red, yellow, and green dresses cross the meadow; in bad weather they all stayed at home. They went for the sacrament to the parish church. From each of those who did not manage in Lent to go to confession in readiness for the sacrament the parish priest, going the round of the huts with the cross at Easter, took fifteen kopecks.

The old father did not believe in God, for he hardly ever thought about Him; he recognized the supernatural, but considered it was entirely the women's concern, and when religion or miracles were discussed before him, or a question were put to him, he would say

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

And of this, as I believe, you are very well aware: and that you are only doing what you denied that you were doing just now, trying to refute me, instead of pursuing the argument.

And what if I am? How can you think that I have any other motive in refuting you but what I should have in examining into myself? which motive would be just a fear of my unconsciously fancying that I knew something of which I was ignorant. And at this moment I pursue the argument chiefly for my own sake, and perhaps in some degree also for the sake of my other friends. For is not the discovery of things as they truly are, a good common to all mankind?

Yes, certainly, Socrates, he said.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The First Men In The Moon by H. G. Wells:

the sunlight. We found that beyond a few abrasions I had received no serious injuries from my tumble, and at Cavor's suggestion we were presently looking round for some safe and easy landing-place for my next leap. We chose a rocky slab some ten yards off, separated from us by a little thicket of olive-green spikes.

"Imagine it there!" said Cavor, who was assuming the airs of a trainer, and he pointed to a spot about four feet from my toes. This leap I managed without difficulty, and I must confess I found a certain satisfaction in Cavor's falling short by a foot or so and tasting the spikes of the scrub. "One has to be careful you see," he said, pulling out his thorns, and with that he ceased to be my Mentor and became my fellow-learner in the art of


The First Men In The Moon